From the venerable Slicing Up Eyeballs: “Minnesota Public Radio’s The Current has just launched a five-part documentary podcast series called “Do You Remember?” that promises to trace the formative years and legacy of Hüsker Dü through interviews with those who were there as well as the three band members themselves — including Grant Hart, who was interviewed in August, weeks before his death. The series comes at a time of heightened awareness for the pioneering hardcore-punk trio following Hart’s September death and the release of Numero Group’s highly anticipated Savage Young Dü box set, believed to be the first in a series…
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Kassyus Clay come to us from Rio de Janeiro, Brazil, and sound nothing like samba or bossa nova. Instead, they bring a brutal instrumental sound that crosses post-rock with Sonic Youth.
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In a land of amazing bands and ensembles, MAiKA have managed to forcefully grab my attention. While they call themselves an alternative dance-punk band, there’s so much more to the music. The energy is amazing, the voices cut right through you in a way that most indie music can’t, and the fact that they combine brass band music with punk gives the music an authentic, punchy feel. From their Bandcamp site: “From the perspective (both musical and visual) of MAiKA, Balkan is an absurd mix of contrasts: religion and tradition combined with modern technology, natural beauty with destructive politics, mud with…
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Les Rencards are a band based out of France which produce a garage rock-meets-yé-yé sound, made up of a Frenchman, a Brazilian and two Catalans, released by the erstwhile Groovie Records out of Portugal. Their sound is raw and authentic.
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The Boomtown Rats and I seem to be on the same wavelength. Serbian summers are nasty!
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Jukebox Babe by former Suicide frontman Alan Vega hasn’t been in print since 1981, so this 7-inch slab of new wave synth-pop is a welcome addition to the Suicide pantheon.
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As we observe Christmas Eve and the Nativity today and tomorrow based on the Julian Calendar, we share an avant-garde take on “Christmas” music. The French experimental record label Camembert Électrique have released a 94-track comp of some rather interesting takes of some Yuletide classics, as well as a fair number of originals. Some of the artists included include Anastasia Vronski, Sean Derek Cooper Marquart, James Hoehl, and our dear friends, Lezet. It’s not a conventional compilation for the season, but it holds its own rather well.
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Our friends over at P.O.G.O. Records have released a record which relates very well with acts like Big Black and The Jesus Lizard. Black Ink Stain are from Belgium, and I have to say this album is as brutal as anything labels like Touch & Go Records released at their peak. The production is a bit raw, but it makes the album sound like an authentic post-punk record. The magazine Muzzart does a good review of the album in French here.
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No review today because we had to send my brother packing to his new home, so in honor of his new abode, I present you with the song perhaps best associated with the city, albeit in a slightly surreal form, courtesy of the Dead Kennedys.
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Sounding like a band crossing the energy of American garage surf gods The Lords Of Altamont, French punks Les Thugs with the legendary Motörhead, Frau Blücher combine a poppy, but aggressive garage-punk with hints of metal. The band name comes from a running gag from the movie Young Frankenstein, and you can read about the history of the name here. Gags and comedy aside, Frau Blucher make great power pop.