The near-legendary Old Heaven Books presents another fabulously bizarre album (also available as a CD and reel-to-reel tape) of Chinese guitarist (of Kazakh extraction) Mamer. From the release’s Bandcamp site: “Mamer first became known as a dombra virtuoso and a modern master of Kazakh folk music. Over the years, he has evolved into a prolific and versatile artist, working across the boundaries of both tranditional and contemporary music. Mamer leads seven band projects: IZ, Bande, Mekrop, TAT, Mask, 51-Rayon, and Kunakar. He has released over 30 records, presenting a diversity of distinct styles including folk, ambient, industrial, noise, improvisation, and…
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We Came From The North are a post-rock band out of Scotland who actually blend metal and instrumental rock into something both listenable and intensive.
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Legendary Be Bop Deluxe guitarist Bill Nelson is still producing music at an alarmingly wonderful rate. This disc is a reissue of an album that came out as a limited-edition release in 2011, and the sound is vintage Nelson.
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I stumbled across Sumner McKane on a Reddit post recently, and decided to give this album a listen. It’s a nice combination of instrumental AOR rock, post-rock, and prog tinged slightly with a few psychedelic elements hear and there. Easy listening.
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The loops Richard Pinhas (once leader of the legendary Heldon) are in full force, but this has a more beat-laden flavor to it. It’s spacious, relatively heavy in parts, but a really pleasant listen besides.
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From Sahel Sounds’ promo sheet, and this is an album worth waiting for!: “Etran de L’Aïr the STARS OF THE AÏR, the longest running wedding band in AGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazed desert sound! Their first album, No.1, brought their music to critics and fans. Their second album, Agadez, sent them into the international touring circuit. And now they’re back with 100% SAHARA GUITAR, ready to take on the world, with those swinging melodies, like a sandstorm blowing in from across the sea. Etran de L’Aïr are 100% SAHARA, and that goes same…
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From the release’s Bandcamp site: “A guitarist Paniyolo and a steelpan player Akio Watanabe are releasing a duo album “Yanami (The row of houses)”. Based on the 11 sketches, they have painted a space kept in tranquil atmosphere with a guitar and a steelpan, each sketch has a glimpse of subject what could be found as you spent more time at home. Focused on the familiar daily life environment that we have overlooked, each piece of music is written with margins and lingering sound. This album is released for the first time in four years, since their release of previous…
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This is the second time I have the pleasure to share the work of Bay Area guitarists Ezra Sturm and Ernesto Diaz-Infante. Maybe it is because this is recorded live, but I get the vibe of something crossing free-improvisation, lo-fi garage guitar and something that reminds me of the work of SST Records boss Greg Ginn. Minimal, noisy, but this works well!
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Amor Celestial is the latest album by Bay Area guitar improviser Ernesto Diaz-Infante, release on Rambutan Records out of New York. The album reminds me of waves gently crashing into the rock of the Pacific Coastline, ebbing and flowing as clouds of feedback surround each bend of the strings. From the release’s Bandcamp site: “San Francisco-based Ernesto Diaz-Infante brings his complete mastery and open exploration of the electric guitar to Tape Drift. It’s an honor to present this deeply focused and heavy work from someone who has dedicated so many years to fearless sonic experimentation and improvisation. The cover art…
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It is with great pleasure that I get to introduce you to a young guitarist called Ezra Sturm. His guitar work has an air of modern primitivism to it, meandering gently with the accompaniment of fellow guitarist (and, coincidentally, his dad and friend of the blog) Ernesto Diaz-Infante. The apple did not fall far from the tree, and with time, he will be wandering along his own path soon enough.