A post-punk/ethereal gem has been bestowed upon us by our friends at Lost Tribe Sounds. Arrowounds tie together influences from bands like, “Can, Bark Psychosis, Young Gods, Slowdive, Durutti Column, Seefeel and much of early 4AD,” according to the band bio, but there is an element that makes this band…
-
-
Though this album is a decade old now, it’s so incredibly well-done that I thought it worth sharing if you like experimental music melded together with field recordings. Jeff Gburek’s sound art is organic and engaging, the recording was handled so masterfully that one gets the feeling of sitting in…
-
Longtime friend of the blog Hector Javier Ayala collaborates with saxophonist Christophe Rieger to produce a slow, languid jazz album which has reference points in spaghetti western soundtracks and bossa nova, as well a touch of music from Mexico.
-
Russian band Okolo Poludnya produce a very good retro-inspired EP influenced by new wave, synthpop and post-punk.
-
ruò tán are China’s more organic answer to old post-Industrial/cassette-culture bands like Germany’s Cranioclast. The music is eerie, yet so utterly engaging. Probably the best reference to this music is for those of you who remember not only the aforementioned band but the early works of projects like O Yuki…
-
This is simply a masterpiece. Joe Williams was one of the most lauded voice in the big band era, and worked with legends like Lionel Hampton and Count Basie. From Nagel Hayer’s Bandcamp site: “Simply one of the greatest Jazz or even Blues vocal albums of all time. Joe Williams…
-
From Light In The Attic Records, this is perfect Sunday listening: “With Pacific Breeze 2: Japanese City Pop, AOR & Boogie 1972-1986 we dig deeper into those sounds of bubble-era Japan. From the proto-City Pop funk of Bread & Butter and Eiichi Ohtaki to the crate-digger favorites Eri Ohno and…
-
Finland’s Timmion Records has released Chicano-soul rocker Jonny Benavidez who provides a radio-friendly (for 1965) soul cut that sounds so authentic that it takes you back at least two generations, which seems to be a specialty for the record label.
-
A brilliant single from the always-impressive Mr. Bongo Records by London-based Kit Sebastian. From the band’s Bandcamp site: “‘L’addio’ saw the band perfecting their production and orchestration, with strings, horns and double bass, and an Italian synth found in a French dump. The music was greatly influenced by Italian soundtracks…
-
There are two very short tracks on this release by They Came From Hell, one of the many fine side projects of composer Philippe Gerber, but the music is so oppressively dark are foreboding that it would make for stellar soundtrack music.