A quick warning ahead of time – do NOT put this in your hi-fi stereo system. Love 666’s latest album is about as lo-fi as it gets, and considering the audience chatter, this has to be a live recording. The music is harsh, brutally in-your-face noise-rock that bands like Les Rallizes Desnudes or some of Keiji Haino’s side project fans are going to be very much into.
Gold has made an appearance on the blog before and left a great impression, reminding me that noise can still be a valuable genre. His latest release is more wall-of-feedback sound, but rather than something horrid and abrasive, this has a more natural feel to it, like an immense wave of water crashing down on rocks. Powerful, but with an organic element to it that I appreciate.
Though the ever-amazing Unexplained Sounds Group have an impeccable record when it comes to releases, this one has the feel of a diamond hidden in the mouth of a long-lost corpse. It’s a gem that should have seen the light of day ages ago, and USG have made things right by publishing this long-forgotten release by The Tapes. From the USG Bandcamp site: “”A Touch of Despair” dates back to 1986. It was recorded live on a standard 2-track cassette recorder, using a 4-channel Fostex mixer, the infamous echo unit, a Korg MS-20, and toy instruments like a plastic trumpet.…
Absolute respect to the estimable Ernesto Diaz-Infante for telling me about this noble cause. Foxy Digitalis has a nearly 3o-year track record, first as a xeroxed zine, and the in its current digital incarnatiom, of reviewing what I would rate as the absolute best of non-mainstream music. This compilation, featuring Ernesto, Lawrence English, Yann Novak, zàke, Stephen Vitiello and a number of names who are new to me, but no less impressive, have contributed tracks for the purpose of helping to keep Foxy Digitalis up and running. Do consider a donation. The magazine, as I hope is the case with…
Something rather different from friend of the blog Jeff Gburek, whose work you know quite well if you have been following our page for a while. From the Soundcloud site: “The Rifles & Garbage Podcast is named thusly to create a strong an mental association between militarism, waste and pollution. I am not opposed to subsistence hunting but maybe use a trap rather than firearms or maybe even try subsistence farming instead of the venison survivalist hype. This podcast has three movements. One introductory, paying homage to sources. The second featuring a recital of poems by Yahia Lababidi, Ghassan Kavafani,…
Because Death To Dynamics is offering a noise album, I recommend you lower the volume before listening. Once you’ve done so, let it rip, but notice that it’s not the normal bilge too many artists put out. There’s something… relaxing… about this work. Only one track is available to hear out of the three, but each have their own charm.
If I listen to noise, this is the kind I enjoy – something that will keep me guessing where the artist is going. Kevin Miller & Jukka Pekka Kervinen are two improvisers who make a more elegant form of free improv music, something I could come back to again and again.
Words fail to describe the beauty of this release, even if it is an acidic beauty. Harae are a band run by beloved friends, and both innovative musicians in their own right. Combined, however, they have made magic, especially if you like a harsh wall of noise cascading over you like molten steel in an industrial factory. The vocals are frightening, which works seamlessly with the music. It’s a harsh but rewarding listen. I cannot wait to hear more from them! For those of you who prefer a hard copy of the release, you can order a mini-CDR edition from…
Neither Merzbow nor Meat Beat Manifesto will need no introduction to connoisseurs of either Industrial music or the sound that made Wax Trax! Records famous. I never, in my wildest dreams, thought that these two would join forces for an album, and, miracle of miracles, their styles actually work well together.
We are sad to report that German indie record label Engram Recordings has ceased operating. They have, thankfully, decided to leave their catalog online as long as Bandcamp exists. This sampler is a great way to get to know about their quirky releases.