Today is a workday for us in Beijing, so there is no review today, but I did want to point you to an Indonesian band called Senyawa, who is featured on Rafaelle Pezzella’s incredible Unexplained Sounds Group‘s digipak retrospective called the Far East Music Collection. It is a reissue of three seminal compilations covering experimental music from China, Indonesia and the Far East in general. The set looks gorgeous, and Senyawa‘s contribution is mind-blowing.
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Saadet Türköz is an international treasure. Born to Kazakh and Turkish parents in Istanbul in 1961, she has developed a style that comfortably blends Central Asian traditional music with free jazz. A very pleasant listen.
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Maybe Mars Records out of my new home city of Beijing (I have to meet these guys one day) put out an indie rock album in 2019 that sounds as good as anything the early Cure ever put out. Brilliant work by Future Orients, indeed!
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One more from Harbin. We will be back to normal posting tomorrow.
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No reviews today as I am in Harbin, China for a rest.
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Li Xing is a Shanghai-based psychedelic noise-rock guitarist who produces a sludgy, powerful album which is reminiscent of Keiji Haino’s mid-period guitar noise era.
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This release honors the memory of Chinese Kazakh composer Daulet Halek who passed away in 2008. From the release’s Bandcamp site: “Producer’s Note: This album has its genesis in a precious reel-to-reel tape recording which we discovered in a radio station. It is unfortunate that the tape itself does not contain information on the date of recording, which we roughly speculate to be around the late-1980s to the early-1990s. The recording in this album has two parts. The first is Daulet Halek’s interpretation of folk tunes from other ethnic minority groups, including the Tatars, the Mongols, the Sibe, and the Kyrgyz.…
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One of the benefits of being in Beijing at a high-grade academy is that I run into some rather brilliant young minds who are turning me on to great local music, case in point being Mimik Banka, who listeners would compare their music favorably to acts like dream pop and pop-psych bands like Dream Academy during their less somber moments and Khruangbin in places, and something radically their own in other spots. Perhaps my new favorite Chinese indie band at the moment.
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From our friends at Sublime Frequencies: “Mystic choral beauty drifting far into the outer cosmos, this other worldly traditional music ensemble creates a contemporary-sounding avant-garde vocal fusion combined with strange instrumental accompaniment. The HANI are linguistically derived from the YI branch of the Tibeto-Burmese and number a million and a half in the southern part of Yunnan province in China above Laos and Vietnam where smaller Hani communities also live. As with many other ethnic groups of the area, an original traditional singing pattern is used with each singer adapting the words to the context. The choir that gathers all…
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If you can imagine 1969-era King Crimson played on Chinese traditional instruments and a more relaxed feel, you would have this new album by the Guangzho-based band Zhaoze. The music is definitely progressive, touching upon art-rock, but so solidly based in traditional Chinese music that one can call this a sound all its own.