Our friends at Wewantsounds have dug deep for this one, and of course, they have found gold. This album, available from the label as a vinyl-only release, sits in a strange apex of electronic music, soul, pop, jazz and the avant-garde, which is the first genre I would have associated with Steve Beresford. This is an album you can don your smoking jacket for. Swanky, well-produced and an elegant listen. You can purchase the album here.
You would be forgiven, I’d imagine, if you thought this release came to us from Nigeria, but as it turns out, Oluko Imo comes from Trinidad. I had no idea they had Afrobeat there. Imo is ably supported by both the legendary Fela Kuti and his son, Femi. Quite an impressive release.
Attilio Zanchi is an Italian bassist who is producing fire with this EP! For Harry Carney (DJ Farrapo Remix) is perfect moody downtempo dance fare with a film noir element about it. Boogie Stop Shuffle (DJ Farrapo Remix) provides truth in advertising, as the beat is funky and danceable. The track that left me the most impressed was For Harry Carney (Digital Pro Mix), remixed into a smoky tunes. Jazzy, funky, downtempo… This hits all the markers for me of a great EP. Kudos to Right Tempo for publishing yet another killer release.
Timmion Records is on a roll! This funky gem comes to us from a band very new to me, Helsinki, Finland’s very own Bronze, Silver & Brass. Worthy!
It’s not often that we get to present to you a band from Guyana! From the Yoruba Singers’ Bandcamp site: “Having remained continuously active since 1971, the Yoruba Singers are the longest-running musical group in Guyana. Emerging from a music scene mostly dominated by slick, commercial entertainment, the Yoruba Singers brought a new dimension to Guyana popular music, cooking up a potent stew of afrocentric vibes, steeped in a committed invocation of the country’s African heritage. The group’s magnum opus is the 1981 album Fighting for Survival. The album sums up the group’s first decade of operation, serving up a…
Thanks to Marcos Valle doing a bit of cleanup in his home, Far Out Recordings proudly present a 7-inch single of a track Marcos and the late Leon Ware worked on in Los Angeles during the 1980s. Here’s the back story, courtesy of Marcos’ Bandcamp site: “In 1979, together in an LA Studio, Valle and Ware recorded a demo which would remain unfinished for 44 years, as Valle recalls: “This demo tape Leon and I recorded… I found the tape on a shelf in my house, it must have been there for over forty years! I showed it to Daniel…
Folks, this is another stunner from our friends at Wewantsounds! Norio Maeda’s sound crosses funky Blaxploitation grooves with music you would find from a 70s ‘krimi’ soundtrack out of Italy or Germany. Expect to find heavyweight vinyl with gorgeous packaging. This one is NOT to be missed! Check out the Youtube link above to get a taste of what is coming your way.
Far Out Recordings graces us with yet another vital release out of South America. This one by Opa is a little treasure out of Uruguay, not exactly known as a hot-spot for jazz fusion (at least not when compared to Brazil or, maybe, Argentina). This record, shelved for reasons unknown, has finally seen the light of day. There will be no digital release of the album (only vinyl and CD), but you can hear a slice courtesy of Youtube.
There is almost nothing I can add to the lore of Khruangbin except to say that, despite me occasionally talking about albums which are fine for nighttime listening, this one belongs to the sunrise. It has the feeling of an album you would play after an intense night out on the town, and coming down from the high of people around way too many people for too long. From their Bandcamp site: “The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go…
This collaboration between Los Angeles’ The Gaslamp Killer and Britain’s funkiest band, The Heliocentrics, is one of those lucky finds you stumble into every now and then, and I say this as someone who isn’t too big a fan of hip-hop. From the release’s Bandcamp site: “The stars would align a few years later, as The Heliocentrics would go on to tour with the GLK Experience as his backing band. This laid the groundwork for a monumental collaboration that was recorded at Quartermass Sound Lab, and would take many years to complete. The resulting album is a testament to the…