I was introduced to a project new to me coming from Australia. From Karl Willebrant’s Bandcamp site: “Night Daze blends immersive textures and emotive expanses that invites the listener to conceive a visual experience through soundscapes and drones utilizing bass, trumpet, field recordings, and improvised performance. The album evokes themes of time and place moving in congruent motion. ‘Night Daze’ Full performance interpretation with special guests Peggy Lee (cello) and Dylan van der Schyff (drums) viewable here – www.youtube.com/watch?v=oQgYvLem3lY “Each track feels like a seemingly large area in which the sounds of the bass and trumpet echo around luxuriously. I…
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Jolanda Moletta is an Berlin-based experimental vocalist who used to sing for the group She Owl. This album features her gently eerie, comforting vocals and not much else. To add to such glorious tones would be a crime. Her voice is delightful as is.
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Øystein Jørgensen should need no introduction to those who follow ambient experimental music. He has been quiet over the past few years, but I came across this old recording from 2010 which showcases his more sound designer influences.
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The Last American Poet, Shane Beck, collaborates with dark ambient composer and luminary Mike Benoit in a haunting, cinematic, Poe-like piece of spoken word.
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Jeff Gburek’s latest album is not a departure from his carefully crafter work, but a continuation of his honing sounds together, weaving them in a way that the early musique-concrète composers could not have imagined. Drones, pulses and the sounds of Burgas, Bulgaria, are blended to produce an immersive soundscape. Yet another fine work.
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Something perfect for Halloween, this soundtrack released by Sounds For The Soul should be enough to either scare trick-or-treaters away or leave the more interesting ones intrigued by the dark and heavy sounds coming from this album.
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Federico Mosconi has produced a perfectly melancholy album, one of those discs you will go to at 4 a.m. when the word feels like it will fall apart, yet magically sticks together through a combination of faith and music. From his label DRONARIVM’s Bandcamp site: “”Nocturnal” is a trip that takes place during the night and ends at the break of dawn. A lonely and (sometimes) melancholic journey through a calm and deep night.”
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Our friends at Jettenbach, a fascinating project from England, have prepared for us a Martian travelogue. The concept sounds like something taken directly from a sci-fi movie, dialog and all, and it’s quite an interesting thing to hear. The music drifts from floating experimental ambient to hard-beat. This shifts genres rather quickly, so listening was a bit of an adventure, though a worthy one.
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Somnimage impresario Mykel Boyd, a stunningly good composer in his own right, has released a 20-minute work of a grim, hazy, yet beautiful soundscape where you feel trapped in the bowels of the set of a sci-fi epic.
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Our dear friends at Lost Tribe Sound have on offer an ambient album perfectly designed for headphone listening by a project new to me called Drawing Virtual Gardens, a Belgium-based artist called David Gutman. From the promo material, which does a wonderful service introducing David’s work: “At the core of Drawing Virtual Gardens ’22:22,’ there is a keen sense of the nocturnal, and a blurring of lines between the waking and the dream state. Focusing on small synchronous events within these hypnagogic periods, Gutman takes inspiration and translates them into musical cadence. Blankets of dense sub-bass coat minimal dub-like rhythmic…