Philippe Simon – Android

Kalamine Records offers a new release from French composer Philippe Simon, whose work I’ve had the pleasure of hearing before. His album sits somewhere between the Berlin School (think early-period Tangerine Dream) and post-Industrial cassette releases from the 1980s. The sound is clean, yet there’s a deep grittiness to it. This is great late-night listening Continue Reading

black-sided sun – Echogram

Considering the power of the storm we had this evening, it seems like a perfect time to hear some brutally dark ambient music.  What’s so special about Black-Sided Sun?  First, the composer, Yuri Ilyin, is a Russian who became a Batumi local (this intrigues me as I have no idea Continue Reading

Internal Fusion – Conte de la pensée dernière

Our dear friends at Mahorka Records bestow us a fine album of frighteningly good electroacoustic music, brutal in its tenor.  From the label’s Bandcamp site: “Eric Latteux aka Internal Fusion is a dark ambient artist, born in 1964, based in Britany (France). He has been active since the early ’90s Continue Reading

Denis Frajerman, Marc Sarrazy, Loïc Schild – Paysages du Temps

Composer Denis Frajerman was once part of one of France’s most experimental troupes, Palo Alto.  I wondered for years what happened to them, and today I see that Denis is active, making long-form music that combines Neu!, Klaus Schulze, Pink Floyd, and his own aesthetic.

Federico Durand – Té De Flores Silvestres

From Federico Durand’s Bandcamp site” “Federico Durand’s music is a weave of sound searching introspection and delight through simple melodies, made in the heart of Argentina. Federico likes music, gardens, John Keats’ poetry, collecting stamps and Earl Grey tea. Since 2010 he has been released on some labels such as Continue Reading

Philippe Petit – The Acoustic Cornet, an hommage to Leonora Carrington

From our friends at Mahorka Records via their Bandcamp site: “Philippe Petit approaches (Leonora) Carrington’s text as one would approach a signal coming from another frequency. Fragments. Resonances. Distorted transmissions. The acoustic cornet becomes a metaphor for listening itself: an instrument that amplifies what society prefers to keep inaudible.”