Today, we have some fine contemporary classical music coming out of Russia. Fancy Music usually deliver consistently good albums, and this one is no exception. The Opensoundorchestra interpret the works of newer composers such as Nastasya Khrushcheva, Elmir Nizamov, Anatoly Palaev, Vladimir Kobekin, Vladimir Martynov and zhokhowski
Ilia Belorukov is a multi-instrumentalist who hails from Russia, but since the Russia-Ukraine conflict, he has been a resident of Novi Sad Serbia and will probably be for awhile. He is making wonderful use of his time by collaborating with local talent. Marina Džukljev is a pianst and first-rate improvisor, so between the two, they have come up with seven works which flow quietly but giving off an air of foreboding. There are elements of early piano works of John Cage and free jazz, giving this album a fine sheen.
The Misty Shore Duo are Chen-Hui Jen & Jacob Sudol, with Jen performing on piano and Sudol performing with computer electronics. The duo perform the works of Morton Feldman, Alvin Lucier, Michael Pisaro and one of Sudol’s own compositions. For electroacoustic music, each track has an amazing warmth to it.
From Chiyomi Yamada’s Bandcamp site: “Piano songs by the Japanese composer Akira Ifukube (1914–2006), interpreted by , voice, and Reiko Yamada, piano. Ifukube, who also composed the theme song of “Godzilla”, wrote these magical pieces based on traditional songs from native tribes of northern Japan. The sound and style of this music are somewhere between western contemporary and eastern traditional music, creating a unique fusion of musical and aesthetic elements. The piano songs are complemented with an epic piece for classical guitar solo by Ifukube, played by the Dutch guitarist David van Ooijen.”
Legendary former Art Zoyd composer and multi-instrumentalist Thierry Zaboitzeff has a new EP. From his Bandcamp site: “LUVOS migrations is the original soundtrack of the dance film by Editta Braun and Menie Weissbacher, AT 2022. Vision of the future or images from a parallel universe? In breathtaking natural sceneries, automated industrial landscapes and deserted ruins, a journey through time and living spaces. www.editta-braun.com/e/films/luvos-migrations.html“
A sublime, baroque look at the requiem on Fancy Music. From the label’s Bandcamp site: “Requiem (from Latin requies – “rest”) is a high genre of concert sacred music, a kind of mourning oratorio. Even the above phrase is little understood by the general public, not to mention the names and meaning of the Latin psalms of the canonical Requiem. As for people who are knowledgeable, for example by virtue of belonging to the Catholic Church of the Latin rite, even for them, I am sure, these texts are devoid of the burning apocalyptic meaning with which they were filled…
Helen Svoboda is a Finnish-Australian composer, double bassist and singer whose work reminds me in some way of Laurie Anderson’s work, but perhaps denser and more lush. This makes for a pretty phenomenal listen.
Sergey Kuryokhin was as fine a composer as he was an improvisor. The Divertissement Orchestra, led by violinist Ilya Ioff, reinterprets one of Kuryokhin’s finest compositions from his album The Sparrow Oratorium. Well-played, indeed. Alisa Ten: vocals [1, 2, 4] Vera Chekanova: vocals [2, 3, 4] Lidia Kovalenko: violin [1], viola [2, 3] Mikhail Blekher: honky-tonk [1], celeste [2], piano [3, 4], harpsichord [4] Vladimir Volkov: double bass [4] Ivan Chernobaev: percussion Ilya Ioff: violin [1, 3, 4], drums programming [3]
The LENsemble Vilnius, conducted by Vykintas Baltakas, won my attention because of their astounding interpretation of their interpretation of Osvaldas Balakauskas‘ composition Rain for Cracow (1991) for violin and piano. A worthy release.
Brooklyn-based composer and cellist Clarice Jensen has an incredible resume, including performing on new releases from both Michael Stipe and Taylor Swift as well as well as being the artistic director of ACME, the American Contemporary Music Ensemble. This release is from her first soundtrack. Information from her Bandcamp site follows: “The fifteen-minute long 5-track EP was recorded at Jensen’s home in Brooklyn. It was performed on cello and electronics and also sees Clarice expanding her ouevre into works for piano. The material comprises her first feature film comission, since which Clarice has worked on three more, and so marks…