I am proud to say I have been a fan of Brume, Christian Renou‘s nom-de-guerre, for well over 30 years now. He was one of the first experimental musicians who captured my ears, and through all the formats he ever published (including DAT, which I would love to see made available again one day), he […]
Thanks to the magnificent blog a closer listen, I was introduced to the work of a fellow Los Angelino Sarah Belle Reid. I was intrigued by postrockcafe’s description of the album, and after hearing it this morning in between teaching duties, I have to say that the description is apt. Shades of early Industrial music […]
It’s amazing to think that this EP is the latest (and hopefully not last) artifact released by former Strawberry Switchblade front-woman Rose McDowell. She had been active singing with groups like Current 93 and her own project, Sorrow, for many years, and this EP continues on that dark and eerie road. I get the feeling […]
I have never heard of Oleg Karpachev, a Israeli soundtrack composer, but thanks to the fine folks at the legendary Cold Spring Records, I can spend this day blown away by this soundtrack which melds together Hans Zimmer and In Slaughter Natives in some fashion. From the label’s Bandcamp site: “Released for the first time […]
Abu Ama and BedouinDrone’s most recent collaboration, Dawlat Lībiyyā, is being presented to the world by Mahorka Records, who have released this album as a well-deserved vinyl edition as well as a adding an extra track added to the digital version. The duo released several albums both together and individually for the record label before, […]
Post Doom Romance is a project between Mykel Boyd and Seah, and their collaboration produces a collection of sweeping drones dedicated to their supporters, immortalizing them on disc. A noble project, but more importantly, the sound is engaging and hooks the listener into a pleasant ambient lull.
Our friends at Jettenbach, a fascinating project from England, have prepared for us a Martian travelogue. The concept sounds like something taken directly from a sci-fi movie, dialog and all, and it’s quite an interesting thing to hear. The music drifts from floating experimental ambient to hard-beat. This shifts genres rather quickly, so listening was […]
Sanr is a project out of Turkey who has released an album so drone-laden and so darkly ambient that it would have fit perfectly between a collection of Cold Meat Industry records and the Terminator 2 soundtrack. It’s heavy, foreboding and magnificent listening if you like a horror vibe.
There are two very short tracks on this release by They Came From Hell, one of the many fine side projects of composer Philippe Gerber, but the music is so oppressively dark are foreboding that it would make for stellar soundtrack music.
Hail! to our friends at Kalamine Records in France for producing yet another fine dark ambient/drone/post-Industrial masterpiece. There’s a lot of drama and pathos in this recording by Christian Fiesel, sounding very much like it would be a fine updated soundtrack to any good expressionist film of the early 1920s or 1930s. An engaging listen.
