Sarah Belle Reid – MASS (Extended + Remastered)

Thanks to the magnificent blog a closer listen, I was introduced to the work of a fellow Los Angelino Sarah Belle Reid.  I was intrigued by postrockcafe’s description of the album, and after hearing it this morning in between teaching duties, I have to say that the description is apt.  Continue Reading

Rose McDowall – Our Twisted Love EP

It’s amazing to think that this EP is the latest (and hopefully not last) artifact released by former Strawberry Switchblade front-woman Rose McDowell.  She had been active singing with groups like Current 93 and her own project, Sorrow, for many years, and this EP continues on that dark and eerie Continue Reading

Oleg Karpachev – Sputnik (Dir. Egor Abramenko) O​.​S​.​T.

I have never heard of Oleg Karpachev, a Israeli soundtrack composer, but thanks to the fine folks at the legendary Cold Spring Records, I can spend this day blown away by this soundtrack which melds together Hans Zimmer and In Slaughter Natives in some fashion.  From the label’s Bandcamp site: Continue Reading

Abu Ama + BedouinDrone – Dawlat L​ī​biyyā

Abu Ama and BedouinDrone’s most recent collaboration, Dawlat L​ī​biyyā, is being presented to the world by Mahorka Records, who have released this album as a well-deserved vinyl edition as well as a adding an extra track added to the digital version.  The duo released several albums both together and individually Continue Reading

Jettenbach – Extracts from The Diary of Mars

Our friends at Jettenbach, a fascinating project from England, have prepared for us a Martian travelogue.  The concept sounds like something taken directly from a sci-fi movie, dialog and all, and it’s quite an interesting thing to hear.  The music drifts from floating experimental ambient to hard-beat.  This shifts genres Continue Reading

Christian Fiesel – Avant Que Nous Soyons Tous Partis Pour Toujours

Hail! to our friends at Kalamine Records in France for producing yet another fine dark ambient/drone/post-Industrial masterpiece.  There’s a lot of drama and pathos in this recording by Christian Fiesel, sounding very much like it would be a fine updated soundtrack to any good expressionist film of the early 1920s Continue Reading