The legendary Free Music Production (FMP) Record Label is reissuing some classic free jazz these days. This particular release features trumpet player Heinz Becker on a record from 1983.
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Ketoret are out of Israel and produce a sludge-laden doom. This release has only one track, but it’s a slow, lava-like 10 minutes of heavy rock.
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Roli Mossimann was a Swiss-American drummer and electronic musician who worked with some of the greatest of the no-wave bands to come out of New York City such as Swans, Foetus and their side project Wiseblood. He was an in-demand producer working with legends like New Order and Skinny Puppy, but the subject of today’s post is a short documentary on some of the amazing bands he worked with. Rest in peace.
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Former Mott The Hoople member Morgan Fisher never stopped making great music. This is a recent release from August of this year intended to help fund Morgan Salon, his studio in Japan. It is, indeed, a worthy cause.
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From the Canary Records Bandcamp site: “When middle-class Americans in the 1950s found that they could get access to a tape recorder and a microphone, it then became possible for them to make recordings that they could pay to have pressed into discs. One didn’t need to go to dedicated recording studios, most of which had been for decades in the cosmopolitan centers – first New York, then Chicago, then the temporary make-shift, studios set up in hotel rooms Georgia, Texas, Tennessee and Virginia, or the independent studios in Grafton WI, Richmond IN, Los Angeles, etc. It was part of…
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Matryoshka are a band from Japan who play a nearly heartbreaking version of post-rock topped with gentle, almost drowned-out vocals. This adds to the character of the record. It’s one of the saddest albums I’ve heard in a while, but achingly so.
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This release by Doltz, a Japanese band released on the South Korean record label Huinali Recordings, came to me by sheer good fortune. The music is far more interesting than most ‘ambient’ or techno music these days namely due to it being played on what sounds like a combination of traditional instruments and some electronic processing, though if it is purely electronic, the band have done wonders with the sound.. The pulses are gentle, individual tones have a haunting quality, and this should pass muster with the hardest core aficionados of the genre. A stunningly good release.
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From Mulatu Astatke’s own Bandcamp site: “Formed in 2012 on the south side of Tel Aviv, the 12 member Hoodna Orchestra is a collective of musicians and composers who initially bonded over a shared love of Afrobeat. They have gone on to incorporate psychedelic rock, hard funk and soul, jazz, and East African music into their sought after releases, winning praise and airplay from the likes of Iggy Pop and Huey Morgan on BBC Radio 6 Music. The collective draws together a huge array of musical talents such as guitarist Ilan Smilan and organist Eitan Drabkin of Sababa 5 fame,…
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The Brothers Freeman grace us with a recent edition of the premier progressive rock magazine, full of in-depth reviews of new albums in the genre as well as trips down memory lane in terms of the Italian prog scene. Also included, of course, are sound samples of the of the material reviewed herein.
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Today, we have some fine contemporary classical music coming out of Russia. Fancy Music usually deliver consistently good albums, and this one is no exception. The Opensoundorchestra interpret the works of newer composers such as Nastasya Khrushcheva, Elmir Nizamov, Anatoly Palaev, Vladimir Kobekin, Vladimir Martynov and zhokhowski