Boston’s Skyjelly are a bit of a revelation for me. They sound like a post-punk band infused with the power of Krautrock bands like Faust or the British trio This Heat. One of the best of the year so far!
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Kassyus Clay come to us from Rio de Janeiro, Brazil, and sound nothing like samba or bossa nova. Instead, they bring a brutal instrumental sound that crosses post-rock with Sonic Youth.
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A haunting release, this one. Imagine dark experimental music mixed with war-ravaged architecture in what was one of the most beautiful cities in the world during the 1970s, Beirut. This is the terribly beauty Mayssa Jallad offers. From Ruptured Records’ Bandcamp site: “The album comprises two parts. Part A: Dahaliz, is a stroll in the city, where Jallad tries (and fails) to follow an old map. Musician Youmna Saba is a companion in this journey of remembering the once winding corridors (“Dahaliz”) of the city, destroyed by new developments since the 1960s. Empty skyscrapers propel her onto a past filled…
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There is such a gentle lilt to the voice of Nata Boundriver of Ясный-Svetly that I can imagine this being what Kate Bush or Hope Sandoval sounding like if either had fronted post-rock era Mark Hollis or some band specializing in ethereal, ghostly music. A sublime listen.
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Our friends at Lost Tribe Sound have released yet another gem in their catalog. This release is from the Danish group Skyphone, and their Bandcamp release page explains further: “The new Skyphone record original began as a project to explore long form close-miced acoustic sessions. The trio worked to record and capture the intimacy of various acoustic instruments. The recordings were very meticulous and long, and were largely meditations over harmonies and fugue-like movements of guitars, bass, synths, piano as well as mandolin, bells, wind instruments and acoustic drums. The trio spent a lot of time building the right sound,…
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Filalete are a project released on the estimable Borenail Records, who specialize in weirder, more neglected scenes like witchhouse, vaporwave and the like. The band produces a really pleasant sweeping sort of ambient, easy to drown your thoughts in. My favorite track was Sweet Nectar, which manages to balance electronic music and post-rock sublimely. A fine record.
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Our friends at Jettenbach, a fascinating project from England, have prepared for us a Martian travelogue. The concept sounds like something taken directly from a sci-fi movie, dialog and all, and it’s quite an interesting thing to hear. The music drifts from floating experimental ambient to hard-beat. This shifts genres rather quickly, so listening was a bit of an adventure, though a worthy one.
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Lost Tribe Sound has another release featured this week! This one pairs two leading composers, Dag Rosenqvist & Aaron Martin, working together creating a filmic masterpiece. The music is tense, influenced by everything from classical music to ethereal. From the press release: “American and Swedish composers Aaron Martin and Dag Rosenqvist came together in 2011 under the name FROM THE MOUTH OF THE SUN. Their first album Woven Tide was released by Experimedia in 2012 and they returned in 2015 for their second album Into the Well. In 2016, three pieces from Woven Tide played an integral role in David…
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I’ve been a fan of ROHS! Records out of Italy (HT: Ivo Petrov – thanks!) for some time. They put out consistently good ambient music and organic electronica every month, it seems, and this release from Lorenzo Bracaloni, who goes by the monicker Fallen, is a delight to listen to. It’s not a normal album for ROHS! – rather, it shifts a lot. The music starts with what sound like processed field recordings and blend their way into more structured electronic music soundscapes, then drift back into a spacious bit of guitar playing. There’s a slightly rough edge to the…
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VIRUS2020 are a wonderfully freakish project out of Tunisia which manages to bring together soundtrack music, post-Industrial references and post-rock into a thoroughly weird and engaging stew. This is a fun headphone listen.