24 Rush Hours is a series done by Zga composer and multi-instrumentalist Nick Sudnick, and this is #15 of 24. The two long pieces are a pastiche of art-rock (think Rock-In-Opposition like Art Bears or the composers Alfred ’23’Harth and Heiner Goebbels). Add an element of Bertolt Brecht-like lyrics for theater and you have a fine series of avant-opera Sudnick keeps producing..
Because I could Not Stop for Death... is a quote from poet Emily Dickinson, and listening to JOHN 3:16 interpret it is a pleasant experience, as the music on this one-track single is sweeping and cinematic, a touch different from his other work.
If you have come across the landslide of reissues of stunningly sublime Japanese new age music composed by the likes of Hiroshi Yoshimura, Haroumi “Harry” Hosono (of Yellow Magic Orchestra fame) or Midori Takada, I have a strong suspicion that JUST, just released today by Chinese composer and synthesizer/guitar player Liu Ying is going to appeal greatly to you.
Bigg Hogg are a Scottish progressive rock band who remind me of old Canterbury Bands like Caravan and Soft Machine. Really mellow and charming prog.
Marcus Webb is a sound designer and composer based out of New Jersey in the United States who creates “foreboding soundscapes and craters of bass and noise serving as the constants within alternating conceptual constructs of city life and drones wrapping around cavernous spaces with clearly defined tones from his modular synths.” Truth in advertising, as he makes great use of his studio to produce a sound that has the vibe of old ritualistic ambient cassettes of the early 1990s.
Even in the midst of war and apocalypse, you should find ways to feel a sense of joy. Hope trumps all, and Ghanian music, like that of Vis-A-Vis, makes for a good remedy. Cheerful vocals, lo-fi production and a pulsing beat cures many ills.
Politics is loathsome. Human beings, however, can be beautiful. All of them, not just your favorites. If you can help out those in need from all points in this disgusting war, I’m sure the labels, the artists, and most of all, the people who could use the funds to survive, would appreciate it. Even if Bandcamp Friday dips into the well too much these days, at least they’re trying to help, so kudos to them. Here are three that caught my attention, so look, enjoy, and support if possible.
In January, we had the pleasure of reviewing a track called Ćilim from Bosnian ethno-folk band Divanhana, and now, it’s our pleasure to bring you the rest of the album! Zavrzlama is a collection of sevdah tracks which have a darker, more minor-key quality than what I’m used to from the genre. For my ears, it gives the music an even more sensual tinge than normal. There is a muted joy in tracks like Peno, my favorite song, which reminds me why the Balkans is the place I love more than anywhere else in this world despite the challenges they…
Beefy, gritty, nasty funk. That’s what you will hear from this monster by DJ Daniele Baldelli. There are elements of tribal funk, Afrobeat, and soundtrack music that wouldn’t be out-of-place in old German or Italian krimis or Poliziotteschi. Calibro 35 would be the most apt comparison to Daniele’s work, but this feels more dance-floor-ready.
We had the pleasure of reviewing an album by Bay Area guitarist Ernesto Diaz-Infante in January, and now, we can introduce you to Vacilando, a collection of instrumental tracks recorded on guitars, oud and banjo. The material is comprised of Ernesto’s composition, none of which exceeds six minutes in length, but feel packed with sounds which drone and mutate swimmingly. Effects-laden, and all the better for it. A good night-listening disc.