Saadet Türköz is an international treasure. Born to Kazakh and Turkish parents in Istanbul in 1961, she has developed a style that comfortably blends Central Asian traditional music with free jazz. A very pleasant listen.
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This release honors the memory of Chinese Kazakh composer Daulet Halek who passed away in 2008. From the release’s Bandcamp site: “Producer’s Note: This album has its genesis in a precious reel-to-reel tape recording which we discovered in a radio station. It is unfortunate that the tape itself does not contain information on the date of recording, which we roughly speculate to be around the late-1980s to the early-1990s. The recording in this album has two parts. The first is Daulet Halek’s interpretation of folk tunes from other ethnic minority groups, including the Tatars, the Mongols, the Sibe, and the Kyrgyz.…
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Jan 疆 Hasker is a folk musician out of Xinjiang, China, but this is a bit of a twist, as he uses Altaic and other folk melodies for his musical base rather than Uyghur. From his Bandcamp website: “Jan made this album collecting, sorting and adapting musical elements from China Xinjiang’s Altai nomadic horse people’s culture. Pastoral song’s lyrics are all about the attachment and nostalgia for this homeland and its folk culture. Jan sings in several Altai languages including Kazakh, Tuva (Russian Altai), Kirgiz and Oirat (Mongolian tribe). These nomadic folk songs and melodies travelled through lands and time.…
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China has 55 legally recognized minorities, each contributing to the mosaic of the country. This particular project, Yerboli, comes from the Kazakh community, but it is not ethnic music per sé. This is folk music, but with a slightly more mystical element to it. Shenzhen-based Old Heaven Books released this album, and they boast quite a healthy catalog of this kind of music. They are worth exploring.