Hugo Əspirito Santo is a Portuguese composer based in France who manages to tie together a cold, ominous synth sound with lo-fi techno beats. Disturbing, but quite a good listen.
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This is the first time I had the pleasure of reviewing something from Start-Track, a fine small label run by our friend Filip Zemčík. Porch Kiss’ music is sparse and lo-fi, reminding me of a lot of British indie band from the 1980s with lower production values and fine songwriting. Pensive music, and a great listen.
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Our friends at Jettenbach, a fascinating project from England, have prepared for us a Martian travelogue. The concept sounds like something taken directly from a sci-fi movie, dialog and all, and it’s quite an interesting thing to hear. The music drifts from floating experimental ambient to hard-beat. This shifts genres rather quickly, so listening was a bit of an adventure, though a worthy one.
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Our beloved friends at Russia’s finest indie music magazine, Meticulous Midgets, has released their annual compilation of weird experimental, lo-fi and avant-garde music. Featured artists include Russia’s own Assembly of Honey, the Italian ambient sound sculptor Marco Lucchi and Latvia’s Шумилов Бор (Shumilov Bor) among a host of talent worldwide.
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Za! were introduced to me by a friend in Spain, and I have to say, both the band and their label, Galleta Records, are putting out fine minimal post-punk.
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We have two releases today to share with you. Both come from New Zealand’s greatest indie rock band, The Chills, and at least to my ears, should be seen as one cohesive session. The first, Scatterbrain, came out in September of 2021 is a rather lush affair, quite different from the early, stripped-down lo-fi albums. Great production, choruses, an almost proggy feel to some tracks dot the album, yet the songs still have that hallmark Kiwi indie sound. Scatterbrain-Storms: Outtakes is quite different, however. Three tracks, more stripped down and raw (well, they’re outtakes for a reason, right?), and I…
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As we celebrate Christmas on the Julian Calendar this day, I thought it nice to share with you an album I found from a Portuguese composer called handwrist, working in the medium of psychedelic, progressive and drone rock, perhaps with lo-fi touches, basing his compositions on the aforementioned Forty Martyrs of Sebaste, whom St. Basil the Great wrote about in the 4th Century. Merry Christmas to one and all.
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It’s hard for me to make out the influences of this album, but I can say with certainty that listening to this rather weird album was a pleasure. From noemienours’ Bandcamp site: ““The Dry Path”, noemienours’ 5th LP, developed around a Gobi Bear narrative of barren edge conditions as an access point to supra-natural realities, is definitely a turning point in the noemienours discography, notably because of its introduction of harpsichord in the noemienours instrumentarium, but also because of its recourse to a widened approach of its lo-fi musical approach, by creating a new musical form somewhere between Swedish post-black…
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The bad news about the release of Al-Qasar’s new album is that there is currently only one track available to hear at the moment. The good news, however, is that it features Sonic Youth guitarist Lee Ranaldo as well as Dead Kennedys frontman Jello Biafra. From the band’s Bandcamp site: ““Al-Qasar was born in the Barbès neighbourhood of Paris,” explains band leader Thomas Attar Bellier. “I’ve lived in Los Angeles, Paris, New York, Lisbon… I wanted to start a project that was in tune with the daily life of people living in these international cities, something diverse, radically colourful, with…
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I can’t say where L’Aventure des Plantes are for sure, but their record label, Kotorosl Records, is from Barcelona, Spain. The music is highly influenced by Berlin School electronics, experimental music and ambient music, and they do honor to the genres.