Jeff Gburek – Pharoah’s Tarot

Pharoah Sanders left this mortal coil on September 24, 2022, after leaving a stellar body of work and his influence on countless musicians including Jeff Gburek.  The influence was profound, and you can hear it on this album, where the guitar glides into something free, not as in noisy free-jazz, Continue Reading

Jeff Gburek – The Perfect Storm: Collected Acousmatic Works with Voice 2020​-​2022

Our friend Jeff Gburek continues to release astounding experimental music, with this release being a collection of scattered acousmatic works which flow together surprisingly well. If you can imagine John Cage’s Roaratorio, calm spoken word and field recordings which make you forget you’re in front of your stereo rather than Continue Reading

Jeff Gburek – Tamarind Winds: Songs for Javanese Rebab, 2022

Tamarind Winds has to be the best album of 2022 for me to get lost in.  Composer and friend of the blog Jeff Gburek continues to awe with the magic he imbues in each instrument he touches, spinning haunting drones, field recordings and soothing the senses with his rebab.  From Continue Reading

Henryk Debich – Dyskusja / Busz

What a jazz-funk gem this is!  From the Henryk Debich Bandcamp site: Despite the ongoing pandemic, the past year was very successful for the celebration of Henryk Debich’s 100th birthday anniversary. The master’s albums: Zbliżenie [Astigmatic Records] and Horyzonty [GAD Records] turned out to be a huge success, bringing great Continue Reading

Orphan Sound System – Tantric Tantrums

Experimental music isn’t a genre that avails itself to the power trio.  In this case, however, Jeff Gburek, John El-Manahi and John Palumbo should be given such a venerable title.  The music they produce as Orphan Sound System is reminiscent of vintage progressive rock bands like Faust or Cranioclast but with Continue Reading

Jeff Gburek – Omnia Sacra et Miracula

Our friend and one of our perennial favorites at this blog, Jeff Gburek, comes to us with a mini-LP’s worth of meditative guitar music supplemented with an electro-acoustic bass berimbau, pine cones, and field recordings.  There is an element of twangy, echoey, lo-fi music in these recordings which reminded me Continue Reading