Our dear friends at the Lollipoppe Shoppe have released a freakily good album out of 1990s Poland. From the label’s Bandcamp site: “Atman was an eco-activist collective, that released tape-only pastoral dwelling jams in the fine Polish-Jazz tradition… Hamered dulcimer and exotically tuned 12-string guitars among basket-loads of unknown sounds, since the 70’s! Personal Forest is the culmination of artistic and personal quest.”
Finland’s Pelkkä Poutanen provide one of 2022’s best World Music albums, combining a wild combination of Scandinavian folk, drone, throat-singing and, if you can believe it, a very light touch of tango.
Albert Kuvezin (Альберт Кувезин) is a legend in the ethno-rock and World Music community. He was one of the founders of the band Huun-Huur-Tu, which brought throat singing into prominence. He went on to form his own band, Yat-Kha, who I came across in 1993. He was managed to meld together traditional Tuvan music (the region in Russia close to Mongolia and not so terribly far from China) with post-punk and even country music. On June 21, Yat-Kha’s latest album, We Will Never Die, is due for release as a download and will be available on CD and vinyl. The…
Khara is an Old Slavonic word meaning “the smile of God.” Truly, God must have been smiling to allow such a weirdly joyful music to come together. Mandragora brings together a bardic style of rock & roll infused with traditional music from their native Khakassia, whose native inhabitants share a lot of cultural affinities with the Kyrgyz people. Other influences in this record include Tuvan throat-singing by Alexey Khovalyg, a talkbox expertly handled by band leader Alexander Medvedev, and Alexander Pakhtaev adding such as the morin khuur or horse-head fiddle common in this part of Russia and Central Asia. This…