From July of 2021 we have a release from the French ambient project Esmez. The gentle, dulcet sounds of each of these four tracks have made for very pleasant Sunday listening, and would really appeal to fans of Brian Eno’s earlier ambient works. For Esmez’s motivations on making the album, consider visiting their Bandcamp site.
Iceland is one of those countries who seem to produce musicians at an incredible rate in comparison to the size of its population. Atli Örvarsson is one of a handful of gifted soundtrack composers to hail from the island nation, and is the first one I can think of who doesn’t originally come from the capital, Reykjavik. He is now a Los Angelino pursuing a career in composition, and is becoming well-known for his scores. The standout track for me on this album is one titled Anka & Robert, which reminds me of a meaty slab of post-Industrial ambient. The…
During the next few weeks, I’ll be catching up on releases I could not get to in 2021. This one is really a gem that I’m surprised I didn’t get to earlier, but thanks to Jeff Gburek reminding me of it, I can happily present this release he did in collaboration with another one of the blog’s dear friends, George Christian. The two tracks which go under the name The Charles Ives Observatory (Parts 1 and 2) bookend the centerpiece of the album, the 28-minute opus Magellanic Clouds. The CIO tracks have the feeling of classic-era electroacoustic music imbued with…
This gem, released by Buda Musique, came out on May of 2021, and it’s simmering! From the label’s Bandcamp site: Balkan Taksim is the corduroy-clad brainchild of Bucharest-based multi-instrumentalist/artist Sașa-Liviu Stoianovici who, along with his electronica producer companion Alin Zăbrăuțeanu, is on a quest to inform, educate and entertain audiences around the globe about Balkan psych, roots and grooves. The project started by searching for something to link the sense of what has been with what will be. Sașa’s exploration of traditional music of the Balkans, ancient Romanian music and Slavic cultures led him to travel a lot through the…
My fellow Californian Ernesto Diaz-Infante provides us with a warm, shimmering work of nine instrumental pieces composed solely for guitar. Each track is warm, not only by experimental music standards, but in terms of pure music listening. My particular favorite was IV, which reminded me of a hybrid between John Fahey and Roy Montgomery playing while immersed in a silvery pool of water well outside this realm. It made for a very pleasant listening experience. For a hard copy of this release, go to Headlights Recordings.
Many years ago, I was enthralled with the music of 4AD artist His Name Is Alive, but lost track of what they were doing. That’s a shame, as Warren Defever has continued to be involved in great music, and this one has to be one of the most interesting I’ve seen in a while, as it’s a paean to Roky Erickson and The Thirteenth Floor Elevators. Defever isn’t the only star on this compilation, however. Also featured are Phew (best known for her work with Can in the West) and Model Home, a band out of Washington, D.C., who left…
What a strikingly good album this is. Autumn Tears is a collective of musicians from Billerica, Massachusetts who make an ethereal sound that blends the best of bands who would have fit well on 4AD Records during their 1980s heyday and progressive rock, especially for those who are fans of the Russian symphonic group iamthemorning. Zeresh are beloved friends whose work has been reviewed on this blog in the past, and Tamar Singer’s vocals sound utterly sublime here. This crosses neofolk with a restrained but foreboding metal vibe. Dark, but magically so. Of special note, the mastering on this album…
Our friend from Maribor, Slovenia, the fine guitarist Samo Salamon, graces our blog with a new release. This one is just him alone playing the works of Eric Dolphy accompanied by his guitar and, apparently, his cat adding in a meow or two. From Samo’s Bandcamp site: The idea of the project began by practicing at home alone during the many Covid lockdowns, rediscovering Dolphy’s music again. Furthermore, I was inspired to do this album by Miles Okazaki’s great solo guitar Monk project. We had a long talk this year via Skype and it was so great to hear how…
As we observe Christmas Eve and the Nativity today and tomorrow based on the Julian Calendar, we share an avant-garde take on “Christmas” music. The French experimental record label Camembert Électrique have released a 94-track comp of some rather interesting takes of some Yuletide classics, as well as a fair number of originals. Some of the artists included include Anastasia Vronski, Sean Derek Cooper Marquart, James Hoehl, and our dear friends, Lezet. It’s not a conventional compilation for the season, but it holds its own rather well.
Azure are a post-rock band out of Aviles, Spain, who produce an atmospheric instrumental vibe on this EP. It has a familiar sound to those who like a bit of metal inside of their post-rock, so it’s a worthwhile pickup. Also, for those of you who love using Bandcamp, this release is free, so it’s most certainly worth sampling.