England’s Pressure Sounds continue to release mind-blowingly good reggae compilations. This one features the production work of Bunny Lee pairing up with such luminaries as Eric Donaldson (whose raw version of Cherry Oh Baby adds grit to the warmly produced original. From the Bandcamp release website: “In 1971, despite his run of hits, Bunny Lee was still having to support himself with freelance producing at Dynamic Sounds, but by 1974 he was fully independent and poised to dominate Jamaican music in the mid 70’s. The tracks on this compilation capture that moment of transition, when the smaller ghetto producers were…
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From Kaliningrad, Russia (formerly my material ancestral Linn homeland of Koenigsberg, East Prussia) hail one of the most impressive psychedelic folk records I’ve heard in some time. From the cacophony of the violin starting the album, it morphs into a Beatlesque horn arrangement. Those few seconds set the tone for what I figured would be a very heavy listening experience. Sunset Wings, led by singer and multi-instrumentalist Aleks Popov team on this album with fellow singer Evgeniy Brodsky. What makes the album crucial listening, along with the impressive instrumental array you will see below, is the adaptations by poets and…
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Our dear friend Drem Bruinsma, the BlindººCoyote in question, provides a 20-minute track of ambient loops, eerie rhythms and and enchanting soundscapes. From his Bandcamp site: “Inspired by personal hikes into various shadowless desert arroyos, to meet with silence, coyotes, antelope, dust and rocks, leveling with tumbleweeds and sagebrushes from a different perspective, walking on those eroded, shallow dry riverbeds, meandering arid nature’s hidden trails when you lose track of time and where you encounter hiding parts of your identity. This track simulates the immersive, enveloping experience of slow- changing minimal landscapes observed from a ground-level perspective, the shallow dry…
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Jan 疆 Hasker is a folk musician out of Xinjiang, China, but this is a bit of a twist, as he uses Altaic and other folk melodies for his musical base rather than Uyghur. From his Bandcamp website: “Jan made this album collecting, sorting and adapting musical elements from China Xinjiang’s Altai nomadic horse people’s culture. Pastoral song’s lyrics are all about the attachment and nostalgia for this homeland and its folk culture. Jan sings in several Altai languages including Kazakh, Tuva (Russian Altai), Kirgiz and Oirat (Mongolian tribe). These nomadic folk songs and melodies travelled through lands and time.…
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2021 was a very solid year for electro-industrial record label Artoffact Records out of Canada. Some of the more incredible cuts from this compilation come from The Hafler Trio & Reptilicus, Cevin Key (from Skinny Puppy), Kælan Mikla with Alcest and of course, Canada’s own Front Line Assembly-related project, Noise Unit. A really good introduction to a pivotal record company.
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This album is magnificently weird. Imagine a band out of Thailand with minimal, ghostly musicianship, slightly ghoulish, off key vocal dronings, the plinky-plonking of piano and spoken words that sound like it might have been influenced by Godspeed You! Black Emperor. This sublime mixture comes from the band a world wondered full, and I have to saw that the album is creepy gorgeousness to it. I’m now a convert to their music.
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It is with a heavy heart that we have to report the passing of Dino, one of the pioneers of Taiwan’s noise scene. This squealing, squelchy noise masterpiece was released on Bandcamp in May of 2021 on Karma Detonation Tapes out of Taipei. May his memory be eternal. HT: Stacy Lipp.
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This is a curious release. Cergy-Pontoise are an Italian duo, and their albim starts out with drone-y ambient sounds but then falls into atmospheric progressive-folk at times, sounding like a better recorded lo-fi artist out of New Zealand, perhaps. There are also elements of space rock, prog and psychedelic music in this. It’s a mixed bag in the positive sense of the word.
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From July of 2021 we have a release from the French ambient project Esmez. The gentle, dulcet sounds of each of these four tracks have made for very pleasant Sunday listening, and would really appeal to fans of Brian Eno’s earlier ambient works. For Esmez’s motivations on making the album, consider visiting their Bandcamp site.
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Iceland is one of those countries who seem to produce musicians at an incredible rate in comparison to the size of its population. Atli Örvarsson is one of a handful of gifted soundtrack composers to hail from the island nation, and is the first one I can think of who doesn’t originally come from the capital, Reykjavik. He is now a Los Angelino pursuing a career in composition, and is becoming well-known for his scores. The standout track for me on this album is one titled Anka & Robert, which reminds me of a meaty slab of post-Industrial ambient. The…