• Music

    Ajate – Abrada

    Ajate are a Japanese band who have the Afrobeat sound down.  They’re one of the best bands working in this style while seamlessly blending Japanese percussion, funk and soul into their milieu.  

  • Music

    Sak Sok Ensemble of Fershampenuaz Village – Nagaybak Songs From Chelyabinsk Region, Russia

    A fascinating release from our friends at Antonovka Records.  From their Bandcamp website: “Nagaybaks are an ethnic group that descends from the Christian Tatars and shares the same self-name with them — “Kreshenner”, which means “Baptized Ones”. There are about 10 thousand Nagaybaks in total, they live primarily in the Nagaybaksky district of the Chelyabinsk region, in the South Ural area. In the Russian empire the Nagaybaks belonged to the Cossack estate. Many of their villages were named after European settlements, at which the Nagaybaks distinguished themselves in the battles. Fershampenuaz is the capital of the Nagaybak district, it got…

  • Music

    Antiq – Ilbeltz / Hanternoz / Anceisural Eritance – D’Anjou en Vasconie

    This was a combination I didn’t expect.  It’s not uncommon for, say, black metal musicians to integrate their music into pagan folk and make a good hybrid, but this is something different.  Antiq combine soaring traditional Basque and Breton vocals with a proper metal backing, and somehow, by some strange miracle, it all comes together very well.  As far as metal goes, this is really quite good.

  • Music

    Msylma & Ismael – The Tenets of Forgetting (مذاهب النسيان)

    Saudi singer Msylma & Egypt’s Ismael are two musicians who come from the rich Middle Eastern electronic music scene.  Msylma’s rich, mournful and introspective voice gives depth and emotion to the electro music produced underneath.  I have to admit, though this isn’t the kind of music I normally listen to, it’s so appealing to my ears that I’ll have to see what else these fine folks have produced in the past. Infinite respect to Éditions Appærent for publishing this fine album.

  • Music

    Adjin Asllan, Tarik Bulut, The Garabed Brothers, et al. – In An Egyptian Garden

    From the legendary Canary Records Bandcamp site: From the 1910s through the 1950s, immigrants released 78rpm discs marketed to their own language / ethnic groups, and that practice survived for a century well into the era of the 33rpm, 45rpm, cassette, and CD era. But from the mid-50s though the mid-70s some Greek, Armenian, and Lebanese-Syrians capitalized on the bellydance fad by issuing their recordings to a broader American public. While many of those recordings drew straight from the repertoire of pre-existing bands, some of the resulting LPs represented ad hoc groupings of performers that were unique and, in retrospect,…

  • Music

    Divanhana – Zavrzlama

    In January, we had the pleasure of reviewing a track called Ćilim from Bosnian ethno-folk band Divanhana, and now, it’s our pleasure to bring you the rest of the album! Zavrzlama is a collection of sevdah tracks which have a darker, more minor-key quality than what I’m used to from the genre. For my ears, it gives the music an even more sensual tinge than normal. There is a muted joy in tracks like Peno, my favorite song, which reminds me why the Balkans is the place I love more than anywhere else in this world despite the challenges they…

  • Music

    Etran de L’Aïr – Agadez

    Thanks to a bit of luck and our friends at Sahel Sounds, I was fortunate enough to obtain an album by Nigerien (no, not Nigerian) troupe and stars of the local wedding music scene, Etran de L’Aïr (or Stars of the Aïr region).  From their Bandcamp site: “Recorded at home in Agadez with a mobile studio, their eponymous album stays close to the band’s roots. Over a handful of takes, in a rapid-fire recording session, “Agadez” retains all the energy of a party. Their message too is always close to home. Tchingolene (“Tradition”) recalls the nomad camps, with a modern…