• Music

    Kristo Rodzevski – Black Earth

    Here is something rather magnificent coming out of Macedonia in the form of Kristo Rodzevski’s latest album through Defkaz, a great Greek label.  There is hope for the Balkans yet!  From the Defkaz Bandcamp site: “Black Earth has eleven traditional Macedonian songs infused with African aesthetics, including Gnawa undertones, Congo rumba, and African field recordings. The core of the traditional Macedonian harmonies and rhythms was developed over the centuries from the Ancient Greek and Roman Empire’s lyricism, Byzantium’s chants, and the Ottoman Empire’s classical music progressions, by way of multiple migrations, storytelling, wars, myths, tribalism, reconciliations, etc.) In a nutshell,…

  • Music

    Baklava – From Skopje With Love

    Our friends over at the indomitable CPL-Music have released a charming disc of traditional music from my second homeland of Skopje, Macedonia!  Baklava, the subject of today’s listening, work with folk music and does sterling work reinterpreting it for a more modern, updated sound.  Speaking of that sound, the band develop it with a wealth of instruments, including ancient local ones like the tambura, the kaval and the daf, as well as bagpipes, clarinet, saxophone, trumpet, accordion and (the very much non-Macedonian) ukulele.  The music is upbeat, fun, and shines a good light on the wonders of (North) Macedonian music.

  • Music

    Li Jianhong (李劍鴻 ) & Wen Zhiyong (文智湧) & Deng Boyu (鄧博宇) – 歲​寒​三​友 Les Trois Amis de l’Hiver

    I remember the Beijing lockups very well, as I lived in the city during the beginning of the COVID-19 crisis.  Some residents in Beijing, including the trio of Li Jianhong, Wen Zhiyong and Deng Boyu, made incredibly good use of the time and recorded an album of music combining free improvisation, electronics and ancient instruments such as gudi (bone flute) and trumpet.  A sonically stunning album. Respect to WV Sorcerer Productions (巫唱片), who continue to release quality Chinese new music.

  • Music

    Balkan Taksim – Disko Telegraf

    This gem, released by Buda Musique, came out on May of 2021, and it’s simmering! From the label’s Bandcamp site: Balkan Taksim is the corduroy-clad brainchild of Bucharest-based multi-instrumentalist/artist Sașa-Liviu Stoianovici who, along with his electronica producer companion Alin Zăbrăuțeanu, is on a quest to inform, educate and entertain audiences around the globe about Balkan psych, roots and grooves. The project started by searching for something to link the sense of what has been with what will be. Sașa’s exploration of traditional music of the Balkans, ancient Romanian music and Slavic cultures led him to travel a lot through the…

  • Music

    IZ Band – 廻声Jangqerek

    The legendary Shenzhen-based Old Heaven Books released a powerful album from the Chinese-Kazakh band IZ Band.  This is listed as folk music, yet the music is brutal, sounding like early 1980s post-punk or Industrial rock.  Think of, maybe, a Kazakh Killing Joke or a Central Asian early-period Current 93.

  • Music

    Megamozaki – Kaonashi

    Dario Elia, working under the name Megamozaki on this release, is an old friend who makes some very impressive industrial rock with elements one normally wouldn’t think to put together.  Starting a capella, one would get the impression you would be hearing Sardinian chant, but it melts seamlessly into a very pleasant mix of heavy industrial-rock and prog.

  • Music

    Emil – Само сам знам / Only Alone I Know

    Emil Biljarski has had a storied career, first as keyboardist of the seminal Hungarian psychedelic rock band Korai Öröm, and who continued the psychedelic, world music and even post-punk stylings in bands such as Fókatelep and Meszecsinka.  His pedigree is impeccable. He graces our blog with a new album which is a projection of music best described as a mish-mash of well-crafted pop songs, interludes which would be reminiscent of Syd Barrett-era Pink Floyd, Bowie-esque prog-pop, ethnic music from Southeast Europe, and on occasion, the bass playing on this track reminds me of a mid-period Killing Joke.  Well crafted, well…