• Music

    Taphephobia & IDFT – Kandu

    October 24, 2021 - By 

    For the Halloween season, our friends at Reverse Alignment Records (now run by the Unexplained Sounds Group Empire) out of Sweden and Italy have released an album which has roughly the same spirit as such post-Industrial/dark ambient musicians as Lustmord or Steve Roach.  Taphephobia is the brainchild of Norwegian composer Ketil Søraker, and on this album he is joined by the Iranian sound designer Behnoud, working on this album as IDFT. The tones one this album are long, sweeping, and as bleak as black water pouring out of a nightmare.  Perfect for the season.

  • Music

    Xerxes The Dark – Soundtrack To The Blind Owl

    September 8, 2021 - By 

    I feel a bit silly admitting this, but for some reason, I thought I had Soundtrack To The Blind Owl previously.  Iran’s foremost dark ambient composer Xerxes The Dark has been active for many years now, and is part of a pretty amazing scene developing in one of the least likely places on Earth.  Then again, with the Internet, I am expecting mind-blowing post-Industrial music to pop out of Togo or Burkina Faso eventually. To the music.  There are six tracks of ominous drone on this album.  This isn’t a typical drone or ambient album, however.  Xerxes expertly mixes in…

  • Music

    Controlled Bleeding – Songs From The Drain

    August 16, 2021 - By 

    Controlled Bleeding were one of the few bands who could glide from genre to genre easily.  They were comfortable working with EBM, harsh noise and experimental music, and would even appeal to some elements in the goth-rock crowd, but this particular album stood out as their magnum opus for me.  Paul Lemos, the one constant member of the band, sculpted beautifully minimalistic guitar playing which sounded almost like avant-progressive rock, while the late Joe Papa (of eternal memory) would let his vocals soar, especially on the track Red Stigmata.  My favorite album by a criminally underrated band. For a more…

  • Music

    SHAPER – More Remixes

    August 8, 2021 - By 

    Every now and then, a crunchy, loud, nearly abrasive (but pleasantly so) release is needed to shake me out of having too much calm in my day.  Our dear friends at Porto Alegre’s finest experimental label, The Church of Noisy Goat have released another heavy release full of rough post-Industrial sound remixed and chopped into oblivion.  It features friends and those I admire, such as Bode, SRVTR, Wilfried Hanrath and RAUPPWAR among others.

  • Music

    Various Artists – Gudelnaya Polyana – Solar Systo Togathering 2020

    July 30, 2021 - By 

    Good music and good new labels are easy to find if you apply yourself.  Zhelezobeton is not a new label, per sé, but a lot of the bands they work with will be new to listeners who don’t normally follow what is happening in the Russian sphere of influence. This compilation is three hours of live recordings made by a variety of artists, including, intriguingly, an ensemble of 12-year-old noisemakers.  The future, judging by the standards of this comp, is in secure hands over there. Also interesting is where this compilation was put together.  It was held on the experimental…

  • Music

    Various Artists – Unexplained Sounds Group – 7th Annual Report (Mid Year Edition)

    July 28, 2021 - By 

    Our dear friends at Unexplained Sounds Group release consistently good ambient, post-Industrial and noise music compilations.  As we have reached the mid-point of 2021, Raffaele Pezzella and company have released what they (rightly) deemed to be the best of the year to this point.  From their Bandcamp site: Unexplained Sounds Group 7th Annual Report (Mid Year Edition) is the Summer edition of USG’s Annual Report series that comes out every year in December, to showcase the best 2021 experimental and avant-garde music. It includes veteran composers alongside younger but equally talented musicians from all around the globe. All musicians here…

  • Music

    Cyanosis – Unscathed

    July 12, 2021 - By 

    Costa Rica, musically, has always been a mystery to me.  The last contact I had was with a brilliant DJ out of San José who hosted a progressive rock radio program, but to find out that there is experimental music coming out of the country is a very pleasant surprise. Cyanosis is not a stranger to this site, as Efrain Valerio’s work was reviewed when he participated in a split album with our friends Destruktionsanstalt in April.  This is the first chance I have had to hear his own work, and it is as bleak a recording as I have…

  • Music

    Linn Friberg feat. Zumaia – Oddity Spirale (Remixes) EP

    July 9, 2021 - By 

    Our dear friend Zumaia has reached the mid-century mark in his life, which is, of course, a wonderful milestone.  We at Music You Need To Hear celebrate his birth, and the exceptional work he does with his label, the Bordeaux-based Kalamine Records.  In honor of this milestone, Linn Friberg, composer and curator of the INTENT series on the label collaborate on a sonic birthday present for fans of the label. The music is cavernous, full of post-industrial and dark ambient soundscapes.  I would compare the sound to early experimental cassette-based musicians, but the sounds are so utterly crisp that it…

  • Music

    Noisesculptor & God Cancer – Wanderers In The 4th Dimension

    May 22, 2021 - By 

    Noise music is something you are either passionate for. or you loathe to the depths of your soul.  I say this because too many artists not only sound far too similar, it almost sounds like they insult the audience by turning on a vacuum cleaner and try to call that “music.”  It’s trash, nothing more.  That trick only worked once with Duchamp, and all his followers merely pose, tarnishing anything good in art. However, there is another angle to noise.  That of the sculpted, patiently crafted sturm und drang which allows for musical or cinemtic influences to further enhance their…

  • Music

    HIEMIS – La Chose

    May 20, 2021 - By 

    Gradual Hate Records has had a stream of excellent releases this year, but this album by HIEMIS, an artist out of Spain, is the best of the bunch.  This is dark, gothic (in the original sense, not the bad makeup sense), ethereal and would compare well to artists who made their mark with labels like Projekt Records, Cold Meat Industry or 4AD (think Dead Can Dance). What pleases my ears the most is the heavy, almost liquid-like sound that resonates so deeply in my speakers that I feel like I’m inside of a cave enjoying almost pure isolation.  It’s quite…