Before I left to China in 2018, the last concert I caught was Iranian-Kurdish master Kayhan Kalhor along with Brooklyn Rider. As it turns out, their violinist, Johnny Gandelsman, was selling one of his albums on vinyl, which I duly purchased (and have nearly worn out). I’m pleased to say he has new work out, though this album was released on the 1st of July of 2022. From his Bandcamp site: “To say that 2020 was a difficult year for the United States would be an understatement. Covid 19 took the lives of 385,000 people. Racism and police brutality took the…
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“Never meet your heroes”. If Víkingur Ólafsson had followed this advice, this gem of an album would have never come into existence. Having loved the … Víkingur Ólafsson ~ From Afar
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Lost Tribe Sound continues to surprise and amaze me with the quality of not only the experimental music on the label, but the soundtracks as well. Cellist Aaron Martin has released his score for the documentary The End Of Medicine, and it’s a deeply resonant collection of music. From Aaron’s Bandcamp site: This original score is Aaron’s first solo release presented by Lost Tribe Sound, even though the two have a long history of collaboration. The US label has previously released three albums from Aaron’s project with Dag Rosenqvist under the alias, From the Mouth of the Sun. Those titles…
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Kosta Trokai is a Russian violinist whose work I’ve followed for several years now. He has a massive catalog behind him and it straddles comfortably between classical music and free improvisation.
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I have a proud history with Slovenian composer and guitarist Borut Kržišnik. Many years ago, I ran a small record label of note called Falçata-Galia, and I launched the label with his album Stories From Magatrea. He has continued to make amazing music since then, and is currently exploring the point where contemporary classical music and soundtracks collide. This release is from 2013. I wish him continued success.
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Tegh & Adel Poursamadi are a duo from Tehran, Iran, who are bringing a new spin to electroacoustic and experimental music. Sadly, only one track is available for the moment, but it shows how the duo meld string instruments and electronic soundscapes together seamlessly.
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Icelandic composer Valgeir Sigurðsson is a classical composer who has developed into the country’s leading light in terms of modern classical music. From his Bandcamp site: “Valgeir has become a master of sound to get lost in. Through his layering of his collaborators’ instrumental and vocal parts and a nuanced balance of electronic and organic sound, KVIKA is a perfect collection of moments that last only as long as they need before taking us elsewhere. After his award winning album Dissonance, it is a measure of his artistic inclinations that he looks to a shorter form of music making. Where…
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Sublime. There’s no other word for it. If you enjoy modern classical music, especially by composers like Gorecki, Ligeti or Penderecki, Canadian composer Adrian Copeland has something here which will appeal to you, with long, mournful drones, sparse instrumentation, and a rough, melancholic feel to the tracks. Track 4, Heir to the Ember Sun, was my favorite track, as it stays within the classical realm, but adds elements and a pop structure that reminded me of the Penguin Cafe Orchestra. A fine album.
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When I hear the words Avant-garde in relation to contemporary classical music, I think normally of some me composers who pull out old, clichéd tropes. This release from Kenyan composer Nyokabi Kariuki is so stunningly weird that the album has given itself the right to be termed Avant-garde correctly.
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Though it’s been four years, the loss of Jóhann Jóhannsson due to an overdose has left a massive hole in contemporary classical music, drone, experimental music, post-rock and so many other genres his work touched on. This opus, performed by the legendary Paul Hillier and backed my ACME, is as close to heaven as some of us might ever get. The vocals are haunting, mournful, but sound totally in place since we begin the Western Holy Week as celebrated by Catholics and non-apostolic churches. Bleak and beautiful.