Work was busy today, so in lieu of a review, here is a rather joyful offering from Cameroon.
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Awesome Tapes From Africa, the legendary blog and record label, have produced another winner, this time from a Cameroonian artist called Gibraltar Drakus, who produced bikutsi, a local dance music. From the release’s Bandcamp site: “By the early 1990’s, Les Têtes Brûlées were indisputably the most famous and influential artists in bikutsi, due in part to the innovations of their incendiary guitarist Théodore Zanzibar Epeme. The band captured everything that was exciting about the fast-developing bikutsi scene, lending their virtuosity to countless albums behind the major singers of the day and supporting each other on solo outings. Their signature post-modern…
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This one came as an unsolicited pleasant surprise. I love Afrobeat and am slowly developing a healthy respect for Afro-House, and if I delve further into the genre, it’ll be because of artists like Cameroon’s Nkom Bivoué. What is best about the disc is the absolutely sharp percussion of the album. This is dance floor-ready material that you can also appreciate on its own merits.
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Analog Africa produces yet another astounding compilation. Unfortunately, we’ll have to wait a while for this one, because the release date is scheduled for September 3, 2021. Still, considering the high quality of pretty much everything this label has produced, I’m expecting some fine music. Over on the Bandcamp release page, a question that had been in mind for a while has been answered. How could Cameroon, with a rich musical history, be so poorly represented? As it turns out, there was no infrastructure so speak of, so promotion outside the country would have been impossible in those days. From…