Unexplained Sounds Group has had another stellar year releasing ambient, experimental and post-Industrial music from around the world in 2021. We had the pleasure of reviewing their mid-year compilation on July 28, and now that the year is complete, USG end the year by giving us 35 tracks from artists like Gintas K, Aidan Baker, Echoflex and a cast of many.
Jagath is a field-recorded ritual ambient act from Perm, Russia who use handmade instruments, scraps and metal to make their dark, dank industrial sounds. As quoted from their Bandcamp site, “We do this to share our vision of decaying postindustrial age, to unleash the spirit of deep beyond-world and unveil life in the abyss.”
Costa Rica, musically, has always been a mystery to me. The last contact I had was with a brilliant DJ out of San José who hosted a progressive rock radio program, but to find out that there is experimental music coming out of the country is a very pleasant surprise. Cyanosis is not a stranger to this site, as Efrain Valerio’s work was reviewed when he participated in a split album with our friends Destruktionsanstalt in April. This is the first chance I have had to hear his own work, and it is as bleak a recording as I have…
The second release from Raffaele Pezzella’s Unexplained Sounds Group’s latest acquisition, the magnificently dark Reverse Alignment record label. This is a different affair from yesterday’s compilation, which was more extreme in sound. New State of Flux doesn’t have the same reach in terms of geography, but it covers music which is more focused, more intense, and gives a feeling of being part of a film-noir soundtrack. Of particular interest to me was the piece done by Vongoiva called Palovankka, which you can hear below. Well done, as always.
Gradual Hate Records has had a stream of excellent releases this year, but this album by HIEMIS, an artist out of Spain, is the best of the bunch. This is dark, gothic (in the original sense, not the bad makeup sense), ethereal and would compare well to artists who made their mark with labels like Projekt Records, Cold Meat Industry or 4AD (think Dead Can Dance). What pleases my ears the most is the heavy, almost liquid-like sound that resonates so deeply in my speakers that I feel like I’m inside of a cave enjoying almost pure isolation. It’s quite…
For those of you, my friends, who were avid readers of my previous blog, A Miscellany Of Tasteful Music, among the musicians I was proud to champion was Destruktionsanstalt, whose works were featured at this link. I’m pleased to say that Per Najbjerg Odderskov has a fresh release under that monicker, splitting it with a project which is new to me in Cyanosis. The first two tracks from from Destruktionsanstalt, and unlike many noise bands, there is a nearly surgical focus on both tracks. The pummeling noise fest has a vibe utterly indebted to the masters, especially early period-Throbbing Gristle…