I would have expected an album like this to come from England, the Netherlands or even somewhere in the Scandinavian realm, but to think that such a wonderfully played (and sung – in English!) album comes from Verona, Italy, of all places, shows that Galaverna are true students of such amazing bands as Tudor Lodge, The Trees or Kebnekajse. This is progressive folk which looks back fondly to the masters of the genre and builds on their work.
Persian-Israeli pop singer Liraz will have a brand new album called Roya in October, but she’s seen fit to release an early single which is in parts psych-ish and sensual. Definitely for fans of Israeli pop and even Googoosh fans!
This is some fine jazz improv. The trio of a friend to this blog, guitarist Samo Salamon, working alongside bassist and ECM Records legend Arild Andersen and Ra Kalam Bob Moses, and this group have an incredible way of flowing with each other’s vibes. Samo, of course, absolutely shreds on this album, and Arlid serves as one of the best anchors in the history of jazz, but for me, the one stealing the show is the utterly mad percussion of Ra Kalam Bob Moses, who gives this album a frantic heartbeat.
Tamarind Winds has to be the best album of 2022 for me to get lost in. Composer and friend of the blog Jeff Gburek continues to awe with the magic he imbues in each instrument he touches, spinning haunting drones, field recordings and soothing the senses with his rebab. From his Bandcamp site: Various parts of the traditional Javanese rebab are made of tamarind wood, hence the flavor, the aromatic suggestion of the title. These are spontaneous compositions, duets and trios created in thye studio among me, myself and I. There are no effects or plug-ins used other than reverb…
Jukebox Babe by former Suicide frontman Alan Vega hasn’t been in print since 1981, so this 7-inch slab of new wave synth-pop is a welcome addition to the Suicide pantheon.
La Souterraine are one of France’s coolest indie labels. They frequently release compilations of alternative music influenced by chanson, bedroom pop and post-punk. Some of the ditties on offer are almost Beatlesque in their pop perfection. Vallée du Don is one I stumbled upon, but the whole catalog is worth exploring.
Legendary King Crimson and David Bowie guitarist Adrian Belew returns with a brand new progressive rock album that emphasizes rock loudly. It sounds like a very complicated version of power-pop if the song a13 is any indication of what the rest of the album sounds like. The only off-putting thing is the VERY high price tag for what is a normal-sized album. The economy back home must be getting ever more brutal, I guess.
Going through Twitter contacts on my account (which will be changed soon, as I want an account that will only concentrate on music and not any other of my pursuits), I came across the name of a label whose work always left me impressed, but whom I had forgotten about, Erstwhile Records. Jon Abbey and Yuko Zama have run this label for years, but it looks like Yuko is branching out and running a new label called elsehwere music. Perusing the catalog, I found a release by Dutch pianist Reinier van Houdt which left me suitably impressed. From the release’s…
I never thought I’d have the opportunity to hear Velvet Underground demos, but I suppose this new Lou Reed album will serve as a fine replacement until I find such a box set.
Buh Records out of Peru has released a compilation which serves as a snapshot of Lima’s grimy techno scene. From the label’s Bandcamp site: “The title of this compilation is inspired by the name of a concert held in Lima in 1991, considered to be the first techno concert to have taken place in Peru. Even though not all intervening groups were doing techno at that time, they did share the fact that they all used keyboards. Four of them, however (Cuerpos del Deseo, Ensamble, Círculo Interior and Reacción), were in fact affiliated to an electronic sound (techno-pop, EBM). The…