Post Doom Romance presents a new album of some of the gentlest “noise” I’ve ever heard. The tones are low, sparse, and somehow calming. Perfect for cold-weather headphone listening.
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From Bahía Mansa’s Bandcamp site: “Bahía Mansa is the sound project of musician Iván Aguayo. He has released a series of albums emphasizing the textural exploration of ambient minimalism from an ecological perspective, using electronic instruments and field recordings. At the beginning of 2022, Colony Collapse contacted Bahía Mansa and, given their mutual interest in each other’s art, the idea of collaborating from their respective disciplines was born. Thus, “costa documental”, a collaborative piece of music-sculpture created by the musician Iván Aguayo and the sculptor Justin Pape, was born from their interest in exploring ecology in a sustainable way. “This…
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This track by Seah and Mykel Boyd (working together as post doom romance) is part of an elegant series of sound art made in their local area. Mellow and very engaging music.
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Our dear friends at Unexplained Sounds Group in Italy continue to delight us at MYNTH! This is yet another collection of the best of ambient music from around the world – this time concentrating in Greece. Artists such as Costis Drygianakis, Savvas Metaxas and adarcah lead the way, but every artist in this comp contribute to avant-garde music mightily, and it is again that we thank our friend Raffaele Pezzella for bringing us such amazing and challenging music from all corners of the Earth.
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Ilir Lluka, a composer out of Tirana, Albania, is one of the best active experimental musicians in the Balkans. He works in the mediums of electroacoustic music, electronic, drone and sound art. From his Bandcamp site: The title of Ilir Lluka’s new digital album “Twelve Years of Nihilism” refers to his period of creativity and musical productivity of Ilir Lluka. The artist considers himself a realist but agrees that his feeling of pessimism about mankind can somehow come close to the semantic concept of the nihilist when regarding it from the object of inspiration point of view. The four tracks…
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Alejandra Salinas and Aeron Bergman have been working together as sound and multimedia artists since at least 1997, and perhaps farther back, though their prodigious corpus vitae isn’t so clear on when, exactly, they began recording together. One can surmise that they have been collaborating on CD since 1998, if this compilation is anything to go by. What do we find from their oeuvre? Electroacoustic music that has a hazy, dreamlike quality to it. There are gentle rumblings, drones and bits of electronic music that have a nearly magical quality to them. It’s pleasant music with which to daydream –…
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Our dear friends at Kalamine Records have surprised me with yet another fine release. This album comes from the project Lezet, which is the working name of my friend Igor Jovanović. It is fair to say that this is true experimental music, or perhaps it’s better to call this sound art. The album is, as Igor puts it, “an album of assorted sounds made in mic’s physical interactions with various surfaces and other accidental sounds recorded during these interactions.”
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We’re lucky to have so many talented musicians and composers in Los Angeles covering all genres. One of the most intriguing I’ve come across lately is Yann Novak, who hails from Wisconsin originally, but who is, like myself, a Southern Californian. Yann has recorded with labels such as 901 Editions, Dragon’s Eye Recordings (which I believe may be his own label), LINE, Room40, and Touch, among others. His credentials are impeccable. This release on Room40 (all praise to Lawrence English for running a fine imprint) has as its cornerstone the composition The Ecstasy of Annihilation, which is 7:30 in length. …