From the sirr-ecords Bandcamp site:
“The perspective of the lizard is an exercise in microsound, benefitting from a long gestation process with decantation and distillation as central procedures. The intent, as the title suggests, is to focus on small sonorities, amplified to reflect perception attuned to smaller scale. For this purpose I avoided anything descriptive or program music, remaining as abstract as possible, confident that the shift and focus on the perceptive aspect was enough to bring a number of associations in the mind of the listener. Artistically speaking, it was as simple (and as difficult) as to think in terms of becoming a lizard in the sense that Deleuze and Guattari use the notion of animal becoming. Once this process is let loose, my work as an artist is to take note and collect recorded evidence, which then forms the basic matter of the piece. This matter is then transformed through the aforementioned process of decantation and distillation in stages, in which the material is filtered and refined, and finally edited in detail. As with most of my work, the material suggests the form, in this case it suggested a bit of a hectic pace and an abstract sense of drama, which may make the work a bit too busy and dramatic for a microsound work fitting comfortably in the genre description. I take this as a good sign and as example of the malleability of the idea of microsound, and as a way to pay homage to the artists who inspired me two decades ago to make artistic inquiry in their direction without being an epigone late to the party, actually adding something to the discourse. In that sense I wish to dedicate this work to the pioneering work of Berhard Günter, Francisco López, Steve Roden and Richard Chartier.”
