tha As it turns out, ‘Jeffersons‘ star Sherman Hemsley was one of my clients while I was working at Aron’s Records off and on during the 1990s. He was an absolute gentleman who always had a kind word, and he thoroughly impressed me with his progressive rock knowledge and the special orders he would give me to hunt down. My fellow buyers and floor staff told me that he was instrumental in bringing a lot of prog to Los Angeles (especially the legendary band Gong). This article I’m sharing came as a surprise that he and Yes singer Jon Anderson…
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I’m still on the road, now visiting glorious Las Vegas, Nevada. Here are the Dead Kennedys tearing up an Elvis Presley classic.
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Agnivolok and Necromishka are two Israeli neofolk bands who remind me not only of obvious modern bands like Death in June, but have a sound similar to the legendary American ur-neofolk band Changes. Stunning, mellow, folksy and dark.
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Today is a travel day, so I leave you with a collaboration between American vibist Khan Jamal, South African bassist Johnny Dyani and Danish guitarist Pierre Dørge.
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Our friend Cousin Silas and his cohort Michael Brückner offer a relaxed ambient two-disc album album which floats between fusion and the Berlin School.
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I’m about 4 hours from flying back home. Regular posting will begin again late tomorrow.
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I will be traveling back to the United States for about 15 days, so I will not be posting much either today or tomorrow. I leave you with a video of the magnificent setar master Hossein Alizadeh from Iran to keep your spirits up. It’s helped mine, for sure.
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The loops Richard Pinhas (once leader of the legendary Heldon) are in full force, but this has a more beat-laden flavor to it. It’s spacious, relatively heavy in parts, but a really pleasant listen besides.
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Gold has made an appearance on the blog before and left a great impression, reminding me that noise can still be a valuable genre. His latest release is more wall-of-feedback sound, but rather than something horrid and abrasive, this has a more natural feel to it, like an immense wave of water crashing down on rocks. Powerful, but with an organic element to it that I appreciate.
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From Sahel Sounds’ promo sheet, and this is an album worth waiting for!: “Etran de L’Aïr the STARS OF THE AÏR, the longest running wedding band in AGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazed desert sound! Their first album, No.1, brought their music to critics and fans. Their second album, Agadez, sent them into the international touring circuit. And now they’re back with 100% SAHARA GUITAR, ready to take on the world, with those swinging melodies, like a sandstorm blowing in from across the sea. Etran de L’Aïr are 100% SAHARA, and that goes same…