Barely Breaking Even (BBE) Records continue showcasing some crucial releases which came out in the 1970s and 1980s in West Africa. This one, by singer Jewel Ackah, combines Ghana’s highlife sound with disco and funk with a wildly danceable groove. Incredible, but no surprise coming from BBE.
It’s safe to say that 1976 Nigeria was a somewhat different world from today’s. The Edo-Delta region must have been a rather swinging place if this reissue of Felix Labarty’s classic, Girls For Sale, is any indication. The music is lush, perhaps a little tinny, disco mixed with reggae vibes and lyrics filled with a combination of braggadocio and grieving over lost loves. No, not love, but loves. He was quite a player in his day. An essential for those who want their Afrobeat to come in a different flavor.
An Afrobeat treat from Sierre Leone originally formed in 1972 is what we have here from Afro National. From their Bandcamp site: “The Afro National band was formed in Freetown, Sierra Leone in 1972. Their inspirational leader, Sulay Abu Bakarr accompanied by his wife Patricia and Ayo Roy Macauley split from the Sabanoh Jazz Band to form their new group. They skillfully merged highlife and jazz sounds with a deep knowledge of West African sounds. Growing to become one of the premiere bands to emerge from Sierra Leone they not only defined the sound of the country for a generation…
This is our second African gem this week, following the marvelously brutal release by Kenya’s Duma. This release by the late S.E. Rogie is a more relaxed, bluesy highlife affair from Sierra Leone. According to the Mississippi Records Bandcamp website, Rogie, “…went from running a tailor shop in Sierra Leone to being one of West Africa’s most popular artists. He toured around the country, singing his palm wine music in multiple local languages, created his own record label, and was known as the most handsome man in Sierra Leone. He formed the highlife band The Morningstars in 1965. In 1973,…
Even in the midst of war and apocalypse, you should find ways to feel a sense of joy. Hope trumps all, and Ghanian music, like that of Vis-A-Vis, makes for a good remedy. Cheerful vocals, lo-fi production and a pulsing beat cures many ills.
Ghanian band Alostmen are bursting with energy and come with a sound mixing highlife with a guitar style that reminds me, slightly, of Tuareg playing one could hear with bands like Tinariwen. From the band’s website: Formed by Stevo Atambire and produced by Wanlov (Fok’n Bois) and Percy Yip Tong, Alostmen’s music is based around the Frafra traditions of the kologo, a stringed lute, using traditional instrumentation in entirely new ways. “I like to force my instrument to work,” explains Stevo. “I’m a yout’man and into rap, reggae, Malian music. I add these to the band’s sound.” “I had toured…