We haven’t featured a band from Thailand in quite a few months, so it’s time to rectify this. Death of Heather are from Bangkok and offer a really well-done take on dreampop.
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As Orthodox are still going through the process of Advent, we share our second post of the year in honor of the Birthgiver of God (Theotokos), as composer Scott Lawlor has titled this 2019 release. Time flies, but great electronic and ambient music maintains its station.
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No wishes, no hopes for the year, just a pleasant way to gently slide into 2024. We launch with Jeff Gburek’s latest release, of which he provides notes on his Bandcamp site: “Still Life with a Question Mark came together as an album rather quickly after I discovered loops unused from an older project fit very well with the latest work I’d done in seclusion at Dom Sztuk, Kęszyca. Captures of VLF radio (ionospheric geomagnetic crackling impulses), hydrophone recordings from Solacz pond, frame drums, zither played with ebow, looped guitar and string passages, synthesizer, shortwave radio, textures of leaves, wood,…
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2023 was a magnificent year for music releases, but a harsh one for those whom we lost. The latest major artist we lost was The Pogues’ frontman, Shane MacGowan, who died on November 30th. Folk singer Enda Reilly participated in a procession through Dublin in Shane’s honor and was moved to set a poem he penned to music. I have a feeling that Shane would have enjoyed it. That closes 2023, dear friends. We begin again tomorrow. Happy New Year!
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As we celebrate (at least on the Western Calendar) the birth of Jesus, the Christ, I leave you this evening with a traditional tune once performed by Sting under another name (Gabriel’s Message), this time played on bagpipes by staff at Heritage Bapipes.
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One more day before Gregorian Christmas, so we spend it listening to Christmas lounge music, courtesy of Triosone!
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As Advent nears its finish and we prepare to celebrate the Nativity, we have a rather charming Protestant offering from Blacknall Arts which wouldn’t sound out of place to Fairport Convention fans.
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I don’t do year-end lists because of the absolute onslaught of releases I get to hear throughout the year can be overwhelming, but I like when those I admire do it for me. The magnificent Four Flies Records have released a compilation of 15 easy-listening/soundtrack cuts that made a swinging impact. I look forward to hearing much more from these guys!
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Two masters of drone at their peak after two decades of collaboration. From the duo’s Bandcamp site: “Since beginning to work together as a duo in the early 2000s, Kang and Kenney have collaborated on sound installations, music for orchestra, choir, and mixed ensembles in addition to releasing numerous widely acclaimed full-lengths: Aestuarium (2005), The Face Of The Earth (2012), Live In Iceland (2013), At Temple Gate (2014), Reverse Tree (2016), Seva (2017), The Cypress Dance (2020). A hypnotic return to the duo’s unique expression of “unison music”, Azure is among Kenney and Kang’s most pared-down efforts in more than…
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Li Xing is a Shanghai-based psychedelic noise-rock guitarist who produces a sludgy, powerful album which is reminiscent of Keiji Haino’s mid-period guitar noise era.