Brown vs Brown – Odds and Unevens

Avant-progressive is a genre that has to be taken in small chunks if you’re new to it, or the complicated time signatures and sudden violent stops might scare weaker ears off.  It is fair to say that no one regularly produces such fine releases in the genre as Cuneiform Records Continue Reading

Alessandra Celletti – Stop Femicides

Femicide, like most other –cides, is a pernicious evil, and women suffer atrociously in parts of the world, but despite the provocative title, this album is more of a celebration of some rather amazing songs influenced by ladies, interpreted by our dear friend Alessandra Celletti.  Some of the covers were Continue Reading

Hervé Perez and John Garner – Bell of Evening Skies

This has to be one of the first albums where the Shakuhachi plays a large role in improvised music that I’ve come across.  From the duo’s Bandcamp site: “This album is the first encounter between improvisers John Garner and Hervé Perez. We came across each other’s work through the jazz Continue Reading

Romano – Güle Güle

Batov Records continues to produce funky disco goodness from Israel.  From their Bandcamp site: “Romano, synthesizer wizard unveils his debut solo album, ‘Güle Güle’, for Batov Records. A cinematic journey through groove, nostalgia, and diverse cultural soundscapes, the album showcases Romano’s rich musical heritage and cutting-edge creativity, building a unique Continue Reading

Various Artists – For Our Friends: A Disaster Relief Compilation

This compilation put together by Aloha Got Soul Records out of Hawaii was done in response to the terrible fires which happened in Los Angeles.  Thank you from an Angelino.  From the label’s Bandcamp site: “We believe in strength in numbers, in the potential within our music community, and in Continue Reading

Meiko Kaji – Yadokari + Shura No Hara 7-Inch

I can think of few record labels who so lovingly press their vinyl reissues like WewantSounds does.  We’re thrilled to announce that they have republished Yadokari, a sublime work by Meiko Kaji, perhaps most well-known in America as one of Quentin Tarantino’s musical muses, but who wowed Japanese audiences with Continue Reading