Gleb Kolyadin is the pianist of Russian progressive rock band iamthemorning, but in this release, he has no problem mixing prog rock with jazz fusion. The album is full of guests, but perhaps the biggest one is King Crimson’s legendary bassist and Chapman stick player Tony Levin playing upright bass. Solid.
Hands down, this is my favorite Finnish progressive rock album. I was introduced to Pekka Pohjola early in life, and now that I am listening to this album in my middle age, I can hear how beautifully it aged. Pekka’s bass is at the forefront, of course, and his playing is masterful, but the whole crew balance progressive rock of the 1970s with jazz fusion and touches of art-rock. I can’t say enough good about this disc.
Brazil’s finest living export (to my ears, anyway) has been quite active over the past few years, but it’s nice to see some forgotten releases getting some exposure. The personnel on this album plays some wonderfully, uniquely Brazilian fusion. Hermeto Pascoal: Bandola, Piano, Teclados (Keyboard), Flugelhorn, Harmonium, Flauta Baixo (Bass Flute), Craviola, Acordeom (Accordion), Bombardino, Clavinet, Piano CP-80 Jovino Santos Neto: Piano, Flauta (Flute), Piccolo, Harmonium, Piano Rhodes Itiberê Zwarg: Baixo (Bass), Tuba Carlos Malta: Flauta (Flute), Piccolo, Sax Soprano, Sax Tenor, Sax Alto, Sax Baritone Marcio Bahia: Bateria (Drums), Percussão (Percussion) Pernambuco: Percussão (Percussion)
As magnificently weird as most Hermeto Pascoal albums are, this one holds a special place in my heart, as it sounds like a more Amazonian Mahavishnu Orchestra jamming with Bill Bruford, Jeff Berlin and maintaining a healthy jazz thread all the while.
We’ll have to rely on a different way of hearing the tracks on this phenomenal comp released by Soul Jazz Records and Mr. Bongo. Consider heading over to Sounds of the Universe’s page to sample tunes from one of the best and widest-ranging comps I’ve had the pleasure of hearing in some time now. From Sounds of the Universe’s website: All of the music featured here on this new Soul Jazz Records collection was created by Brazilian artists living and working in the USA in the 1970s. The album brings together some of these finest works and comes complete with…
A legend has passed. Return To Forever was my gateway drug to 70s jazz fusion, opening the door to discovering the band bearing the same name, Miles Davis at the peak of his powers (at least for my taste), the majesty of Weather Report, and delving back into Chick Corea’s back catalog. Corea died of a rare form of cancer at the age of 79. May his memory be eternal.
This album is a sort of ‘holy grail’ for Brazilian jazz. From Marcos Resende’s Bandcamp site: Beyond their highly sought after 1978 album Festa Para Um Novo Rei – home to the mystical jazz-funk classic ‘Vidigal’ and released on Philips’ iconic Musica Popular Brasileira Contemporanea series (MPBC) – little is known about Marcos Resende & Index, even to aficionados of rare Brazilian music. Far Out Recordings is immensely proud to present their previously unreleased self-titled debut album from 1976, contributing a crucial missing work from the glory days of progressive Brazilian instrumental music. A prodigious child, Marcos Resende learned to…