稷廬 / jì lú – 山與客聽 / Mountain, Traveler, Listener

The Sichuan, China-based Jì Lú (稷廬) are a new project that has connections with one of China’s most innovated bands, Raflum.  The instrumentation on this album is sparse, but it makes for good listening, as bamboo flute and guitar seem to blend pleasantly. Some notes regarding the release: When talking about landscapes in the traditional context, it’s mostly about reclusion.  Although true recluses are rare, the mountains and rivers are always there.  Ironically,  the real landscapes are actually “horrible nature” instead of some leisure place.  The traditional landscape paintings are a kind of “tame nature,” which were described as “To observe with meditation, and lie down to experience” and “Sitting in the forest and spring instead of go to banquet” by ancient Chinese poets.  It emerge at North and South Dynasty, then become a game of finding the essence during the Five Dynasties and the Song Dynasty, and finally stuck in the static self-development after the Ming and Qing Dynasties.  The development of landscape paintings are just like how people detach with the nature and entering urban life.  This album is the continuation of this thesis.  In a time when the virtual reality are replacing urban life, we attempt to reinterpret this cliche with improvisation that based on the topic of “landscape.”  We also naming the songs by minutes and seconds instead of the traditional way of titling the songs, which is based on its imagery.  That creates interactive between the “teller” and listener, and reflects the beauties for individuals due to their own aesthetic experiences.  At this time, the distant, outmoded, cumbersome and vague image of landscape might leave a huge space for “starting again.” Instrumental Continue Reading

Stijn Hüwels & Tomoyoshi Date – 遠き火、遠き雲’ ​(​A Distant Fire​,​ A Distant Cloud)

laaps Records is a French label releasing quality ambient music.  This one seems to be their latest, a calming wash of sounds composed by Belgian composer Stin Hüwels in collaboration with the Brazilian-Japanese composer and sound artist (and emergency room doctor!) Tomoyoshi Date. The music is a mix of organic Continue Reading

Jeff Gburek with Ilaria Boffa – Reifications // Minimal Animal // Reanimations

Another Akashic Records masterpiece.  This imprint never fails for me. Jeff Gburek works with Italian composer, researcher and poet Ilaria Boffa to make a hazy, deeply psychedelic piece of musique concrète.  The three works on this album are sonic storytelling, layering voice on voice, and  is perhaps the best way Continue Reading

Lance Austin Olsen | Terje Paulsen – Nattinsekter

Though I am familiar with the great experimental musician Terje Paulsen, I have not yet heard the works of Lance Austin Olsen, and I’m impressed with this pair’s use of field recordings and instruments into one organic whole. From Lance Austin Olsen’s Bandcamp site: Nattinsekter (night insects) developed from my Continue Reading

Hideki Umezawa & Andrew Pekler – Two Views Of Amami Oshima

Electroacoustic music inspired by painting and field recordings done in the Ryuku Islands off the coast of the Japanese mainland.  This definitely caught my attention.  Edições CN out of Antwerp, Belgium released this album in 2020, and it features the works of Japanese composer Hideki Umezawa and the Samarkand, Uzbekistan Continue Reading

Jeff Gburek – Three New Albums

We have the tremendous pleasure of announcing three new albums by composer Jeff Gburek. The first album is in collaboration with his partner Karolina Ossowska, who plays violin, ocarina and kalimba on this release.  Gburek performs on zither, mandolin, miniature bandura and something called a blue-sky instrument, something new to Continue Reading