FRKTL is the nom de plume of British-Egyptian composer Sarah Badr, and her work straddles so many genres that it’s quite hard to describe accurately (a wonderful thing, as it means her work is incredibly fresh-sounding).

There are, of course, long, drone-y elements to the music, but once you go into tracks 3 and 4 (Hverfa af himni heiðar stjörnur and Hart er með hölðum, respectively, you start hearing elements of techno (!), bleak synthetic choruses sounding like the angels reciting the liturgy over the bowels of Hades (or, in this case, Hel, in order to maintain a proper cosmology).  The pulses are warm, it maintains a consistently interesting rhythm, and the percussive effects sound as though soft bombs are continually going off, gently hitting the ears with a sense of force that somehow remains pleasant.