Robert Scott Thompson, the ambient music alchemist, has released several new albums recently, but I wanted to start with Placid, a rather chilling work that references works by the maestros (Steve Roach, Robert Rich, Klaus Schulze), a touch of Warszawa-period Brian Eno/David Bowie, and his own more musical compositional bent.
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I came across a “composer” (really, a duo) based in Riga, Latvia called Domenique Dumont. The pair consist of Latvian multi-instrumentalist and producer Arturs Liepins and vocalist, ethnomusicologist Anete Stuce, and they have produced a shimmering, gentle piece of electronic music. From the release’s Bandcamp site: “People On Sunday is an original soundtrack to the 1930 silent film variously known as Menschen am Sonntag, Les Hommes le Dimanche and People On Sunday. The film is a key work of interwar German cinema, based on a screenplay by Billy Wilder. Part documentary, part fiction, People On Sunday follows a group of…
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Danish composer øjeRum has recorded for and with some of the best ambient and electronic music labels active today, and this latest release is published by the estimable Room40 Records out of Australia. From the release Bandcamp site: “While recording, radio waves and static electricity interfered with the signal – sometimes subtly, sometimes more pronounced – supplying the recording with an accidental ghost accompaniment. This chance encounter let me to contact Scanner as I knew of his use of radio waves and police scanners. The result was the two remixes accompanying my piano recording. “Vågnende Jeg Ser De Døde” is…
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I realized I didn’t have many records from Togo listed on the blog, so, going down the rabbit hole, I found this curious compilation on TogoPop Records. It sounds NOTHING like what I was expecting. If anything, the artists on this compilation sound more like they were influenced by French 1980s Cold Wave and Italo Disco. It’s a weird record, and brilliant for it.
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Friend of the blog Gianpiero De Filippo, who records as The End Of Eternity, goes into a different direction with this recording. It’s less Berlin school and more techno, and very well done.
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Taiwanese band Leisure Time 閒暇 produce a music that sits in that hazy area between real and fake jazz. I think the quote the band used by the legendary Donald Fagen of Steely Dan sums up their sound best: “There was sort of cheap music, tv music, movie music. By cheap I mean, not really in a disparaging way but it’s written to support something else. […] And so, I both like real jazz and fake jazz, and also, fake fake jazz.” Real of fake, it’s pleasant listening.
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I can’t say I’ve ever had the pleasure of introducing Chihei Hatakeyama to my readers before, but he is a master of elegant sound design. These three compositions are based on his travel to Amami Oshima, north of Okinawa.
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Hail! to our friends at Kalamine Records in France for producing yet another fine dark ambient/drone/post-Industrial masterpiece. There’s a lot of drama and pathos in this recording by Christian Fiesel, sounding very much like it would be a fine updated soundtrack to any good expressionist film of the early 1920s or 1930s. An engaging listen.
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There’s little I can add to my dear friend, the Last American Poet, Shane Beck, and heir to the Berlin-School throne, Michael Brückner, so I will let the gentlemen speak for themselves. You can read further at this release’s Bandcamp site: In what turned out to be a spontaneous burst of inspiration, poet / lyricist / spoken word artist Shane Beck and electronica composer Michael Brückner created this circle of five pieces together that are based as much around the mystical splendor of nature as on the vast inner landscape of human longing for eternal love, spiritual transcendence and integration of…
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Pseudonym Records of of London, UK, publish hard and aggressive drum & bass, giving a nostalgic vibe for the genre’s heydey of the 1990s. Jurango and Glances offer up two utterly menacing tracks each.