There’s little I can say to introduce you to the work of Philip Jeck, the turntablist who passed away in March of 2022, nor would I with Chris Watson, the maestro of field recordings and one-time member of Cabaret Voltaire. This release is a project that the gentlemen were working on before Jeck’s untimely passing. From the Touch Records release Bandcamp site:
“In 2017 I was recording along the north bank of the Humber estuary and one morning driving back from Faxfleet I was stopped at the Oxmardyke rail crossing. The gates were down. After setting up a microphone array by the tracks for a passing freight train the signalman shouted an invitation to climb up into the gate box to make some more recordings.
Over the following weeks I made several return trips to Oxmardyke and gathered a broad palette of recordings. I discussed the sounds, stories and history of the site with Philip after a show and we were both excited by the potential of making a work together.
Philip was drawn to the ancient history of the area from 6th century Anglo Saxon times to the Knights Templar and how the sounds, rhythms and textures from those periods may still inhabit the contemporary landscape. My thoughts took inspiration from ‘The Signalman’ by Charles Dickens and the painting ‘Rain, Steam and Speed’ by Joseph Turner. We agreed to share ideas and exchange tracks.
Oxmardyke gate box has now passed into history
It was only when Mike Harding at Touch informed me of Philip’s condition that we began a final exchange of pieces and I sincerely hope that my contributions may frame Philip’s exceptional work.
Chris Watson August 2022“
