Homero “Hommy” Sanz was a percussionist and bandleader from Puerto Rico who produced albums full of guaguancó, bolero and boogaloo. The album is a fine example of what was tearing up Puerto Rican airwaves during the 1960s and 1970s. A killer set.
Previous Post
EYRYX – Psychological Projective Next Post
Susana Seivane – Os Soños Que Volven racarrera
Blogger, label owner, record store buyer and all around charming lad who loves to share music with one and all.
Recommended Posts
Dean Wareham is someone who could be called Shoegaze royalty. He has been partnering with Britta Phillips for some time now making some fine records, but this is a different, even more interesting beast. The Spacemen 3 centerpiece Sonic Boom collaborates with […]
We have another elegant experimental/electroacoustic album by violinist Karolina Ossowska and her partner in this release, Jeff Gburek. There is a Nurse With Wound-meets-György Ligeti vibe to this release, maybe even references to Krzysztof Penderecki’s earlier avant-garde works, but given a gritty, […]