One of the most remarkable things about the series of compilations released by our friends at Unexplained Sounds Group is the great number of new artists they come into contact with, and serve as a launching board for. Of all the artists on this compilation, only Ryo Murakami’s work rings a bell. Masayuku Imanishi’s work sounds like a newsroom printing press staffed by Throbbing Gristle and Hélène Sage. USG continue to release the finest in post-Industrial music.
This is a curious release. Cergy-Pontoise are an Italian duo, and their albim starts out with drone-y ambient sounds but then falls into atmospheric progressive-folk at times, sounding like a better recorded lo-fi artist out of New Zealand, perhaps. There are also elements of space rock, prog and psychedelic music in this. It’s a mixed bag in the positive sense of the word.
From the Upupayāma Bandcamp site: Upupayāma is the musical persona of Alessio Ferrari, an Italian multi-instrumentalist and songwriter who lives in a small mountain village above the city of Parma. In addition to playing guitar, bass, keyboards, and drums, Ferrari himself also incorporates a number of other instruments into his work, including sitar, erhu, transverse and wooden flutes, and a variety of percussion instruments. This is a stunning debut by Upupayāma, whose take on psychedelic rock caught my attention. The album swims along nicely, reminding me of bands like Kikagaku Moyo. I hope they stay on this vein. It’s pleasantly heavy…
Two places I have been enamored with for at least half of my life are Brittany in France and Naples, perhaps my favorite Italian city. Breizh Napoli, as the name clearly indicates, combines both Breton and Neapolitan music seamlessly. This is a fine demo of choral music that brings out the best of both cultures, and it’s my hope that the band continues to mine this particular strain of folk music.
For the Halloween season, our friends at Reverse Alignment Records (now run by the Unexplained Sounds Group Empire) out of Sweden and Italy have released an album which has roughly the same spirit as such post-Industrial/dark ambient musicians as Lustmord or Steve Roach. Taphephobia is the brainchild of Norwegian composer Ketil Søraker, and on this album he is joined by the Iranian sound designer Behnoud, working on this album as IDFT. The tones one this album are long, sweeping, and as bleak as black water pouring out of a nightmare. Perfect for the season.
Italian artist Lorenzo Bracaloni composes under the name The Child of A Creek / Fallen, and this release on ROHS! Records is quite a treat for fans of ethereal music. It reminds me deeply of when Harold Budd collaborated with the Cocteau Twins, but in an instrumental form. A truly calming release.
The Doubling Riders were one of those bands that came out of 1980s Italy who were criminally neglected. It’s great to see this published digitally. This reissue came out today, and it was considered a big score in my collection when I had the vinyl version. From the Bandcamp site: The Doubling Riders were born in the middle of the ’80s from the ashes of the great experimental / minimal wave project A.T.R.O.X. around the trio of Francesco Paladino, Pier Luigi Andreoni, and Riccardo Sinigaglia (Professor of Electronic composition at Milan’s Conservatory). Starting from an electronic music approach and working…
Dario Elia, working under the name Megamozaki on this release, is an old friend who makes some very impressive industrial rock with elements one normally wouldn’t think to put together. Starting a capella, one would get the impression you would be hearing Sardinian chant, but it melts seamlessly into a very pleasant mix of heavy industrial-rock and prog.
Our dear friends at Unexplained Sounds Group release consistently good ambient, post-Industrial and noise music compilations. As we have reached the mid-point of 2021, Raffaele Pezzella and company have released what they (rightly) deemed to be the best of the year to this point. From their Bandcamp site: Unexplained Sounds Group 7th Annual Report (Mid Year Edition) is the Summer edition of USG’s Annual Report series that comes out every year in December, to showcase the best 2021 experimental and avant-garde music. It includes veteran composers alongside younger but equally talented musicians from all around the globe. All musicians here…
It’s one thing when you’re the impresario of a record label who consistently delivers astoundingly good quality. It’s quite something else when you make music yourself that is as solid as any of the releases you so lovingly curate. RHaD (Research for Historical Audio Documents) is a side project of Raffaele Pezzella (better known as Sonologyst), and head of so many incredible boutique record labels. This collection of tracks pulls together influences like radio transmissions, telephonic conversations, hi-fi test signals, old and forgotten documentaries, unknown field recordists, and threads these bits together into wonderfully coherent compositions made for late-night black-and-white…