Our friends at Lost Tribe Sound have at least three releases coming up which will be reviewed here. I’m pretty excited to introduce you to ambient composer Federico Mosconi, whose compositions feel cavernous, made more impressive that he’s pulling this together with guitar and effects. For those of you who appreciate the work of Spanish composer Rafael Anton Irisarri, you’re going to love Mosconi’s work.
Experimental music isn’t a genre that avails itself to the power trio. In this case, however, Jeff Gburek, John El-Manahi and John Palumbo should be given such a venerable title. The music they produce as Orphan Sound System is reminiscent of vintage progressive rock bands like Faust or Cranioclast but with production input by the Gyuto Monks. This is sitting on the nexus point of psychedelic music, post-Industrial and experimental. Challenging listening, but ultimately rewarding, as the listener will feel as though they’re being transported on a not-unpleasant tour of Saṃsāra. Lineup: Jeff Gburek: electric guitar, bassic guitar, microfreak, drum machine,…
As the world is in a state of free-fall at the moment, it is nice to take some time to listen to something mellow, perhaps saccharine to some tastes, but calming nonetheless. Mattia Cupelli’s release is an appropriate one to share today considering the album’s title, most recognized as the date where Roman emperor Julius Caesar was assassinated.
Beefy, gritty, nasty funk. That’s what you will hear from this monster by DJ Daniele Baldelli. There are elements of tribal funk, Afrobeat, and soundtrack music that wouldn’t be out-of-place in old German or Italian krimis or Poliziotteschi. Calibro 35 would be the most apt comparison to Daniele’s work, but this feels more dance-floor-ready.
This is one of those unsolicited posts that make blogging a pleasure. now|here are a dark ambient/post-Industrial music project out of Italy whose work reminds me, in a very positive way, of acts which used to appear on Sweden’s Cold Meat Industry imprint. The sounds here are cleaner, doomier, and loaded with a synthetic classical underpinning I like. Perhaps I can say that this is a better-produced dungeon synth. Enjoyable.
One of the most remarkable things about the series of compilations released by our friends at Unexplained Sounds Group is the great number of new artists they come into contact with, and serve as a launching board for. Of all the artists on this compilation, only Ryo Murakami’s work rings a bell. Masayuku Imanishi’s work sounds like a newsroom printing press staffed by Throbbing Gristle and Hélène Sage. USG continue to release the finest in post-Industrial music.
This is a curious release. Cergy-Pontoise are an Italian duo, and their albim starts out with drone-y ambient sounds but then falls into atmospheric progressive-folk at times, sounding like a better recorded lo-fi artist out of New Zealand, perhaps. There are also elements of space rock, prog and psychedelic music in this. It’s a mixed bag in the positive sense of the word.
From the Upupayāma Bandcamp site: Upupayāma is the musical persona of Alessio Ferrari, an Italian multi-instrumentalist and songwriter who lives in a small mountain village above the city of Parma. In addition to playing guitar, bass, keyboards, and drums, Ferrari himself also incorporates a number of other instruments into his work, including sitar, erhu, transverse and wooden flutes, and a variety of percussion instruments. This is a stunning debut by Upupayāma, whose take on psychedelic rock caught my attention. The album swims along nicely, reminding me of bands like Kikagaku Moyo. I hope they stay on this vein. It’s pleasantly heavy…
Two places I have been enamored with for at least half of my life are Brittany in France and Naples, perhaps my favorite Italian city. Breizh Napoli, as the name clearly indicates, combines both Breton and Neapolitan music seamlessly. This is a fine demo of choral music that brings out the best of both cultures, and it’s my hope that the band continues to mine this particular strain of folk music.
For the Halloween season, our friends at Reverse Alignment Records (now run by the Unexplained Sounds Group Empire) out of Sweden and Italy have released an album which has roughly the same spirit as such post-Industrial/dark ambient musicians as Lustmord or Steve Roach. Taphephobia is the brainchild of Norwegian composer Ketil Søraker, and on this album he is joined by the Iranian sound designer Behnoud, working on this album as IDFT. The tones one this album are long, sweeping, and as bleak as black water pouring out of a nightmare. Perfect for the season.