Our friend and colleague George Christian Vilela Pereira has released an album that I could only describe as mellow strumming psychedelic noise with elements of Krautrock and instrumental psych that one could have found in Japan in the late 70s and early 80s. The lo-fi feel of the recording adds to the hazy pleasantness of this album. According to George Christian’s notes, this is a paean to the African influence in Brazil and on his music. He explains it clearly here: This album came up with a basic motivation in mind: to show how much Africa there is in my…
-
-
First, a debt of thanks goes to Dimitris Tsironis who took the time to send me this compilation for review. His label, 1tracktape, is doing a great service exposing Greek experimental and avant-garde music to the world, and the quality of this compilation is superb. What’s more, the label is unique in that it releases albums every New Moon and (most of) Full Moon dates. I can’t say I’ve heard of any other labels maintaining such a specific schedule, so each moon that pops up will be an opportunity to check out what new releases Mr. Tsironis has in store for…
-
I don’t do top-ten lists, and I don’t ever plan on doing that in the future, but things can change at any moment. Still, if I had to nominate a favorite record label at this moment, there’s no doubt it would be Italy’s Unexplained Sounds Group. Each compilation is a tour guide of experimental music from select parts of the world. This one is near and dear to me, as China was and shortly will be my home for quite a while, and Raffaele Pezzella does yeoman’s work documenting what is happening in the Middle Kingdom experimental-music-wise. Here are some…
-
I have a particularly strong attraction to Porto Alegre, Brazil. I have a few friends from there, one in particular who was a charmer, and it seems that everything from jazz to progressive rock seems to do well there. This is the breeding ground of IO, a visual artist, scenographer, fashion designer, performer and musician from Porto Alegre. She uses a more cinematic approach to musique concrète music, and the pieces play like wordless stories that play for the cinema in your mind. It’s a very well-recorded album, easy to get lost in, and it was a pleasure to listen…
-
No reviews today, as I will be celebrating Easter weekend (for those who are confused, it is because most Eastern Orthodox celebrate Easter using the Julian Calendar) with my friends. To honor Good Friday, I offer to you Tatar-Russian composer Sofia Gubaidulina’s magnum opus, Sieben Worte for cello, bayan and strings. It is a composition dedicated to the last words of Jesus Christ during His passion. For those who celebrate today, Είθε ο Θεός να μας δείξει έλεος.
-
Another Akashic Records masterpiece. This imprint never fails for me. Jeff Gburek works with Italian composer, researcher and poet Ilaria Boffa to make a hazy, deeply psychedelic piece of musique concrète. The three works on this album are sonic storytelling, layering voice on voice, and is perhaps the best way I can describe this release. Sublime, but I expect no less from the parties involved.
-
Few inside of the world of avant-garde music will not have heard of composer and multi-instrumentalist Elliott Sharp. He has one of the most impressive bodies of work in experimental music. This release is a very pleasant surprise for me, though, because, despite the wonders of Sharp’s music on its own merits, having actor and experimental theater veteran Steve Buscemi reading William S. Burroughs’ works just adds to the fun. From their Bandcamp site: Actor Steve Buscemi and composer/multi-instrumentalist Elliott Sharp collaborate on a new CD based on texts by William S. Burroughs. Two significant figures in the formation of…
-
My (Western) Easter listening happens to be an avant-garde recording put together in the mid-nineties in Italy and just now being released. Imagine works being recorded nearly a quarter-century ago still sounding fresh and relevant. This is the sound of Orphan Sound System. The project features the talents of Jeff Gburek, John El Manahi and John Palumbo. I find it difficult to compare it to an artist of that particular time period, though perhaps I can hear a corollary with groups like AMM, the scores of incredibly talented cassette culture artists who worked with lo-fi conditions to make incredible art,…
-
We have the tremendous pleasure of announcing three new albums by composer Jeff Gburek. The first album is in collaboration with his partner Karolina Ossowska, who plays violin, ocarina and kalimba on this release. Gburek performs on zither, mandolin, miniature bandura and something called a blue-sky instrument, something new to me. The music is quiet, thoughtful, and meditative. It was a relaxing experience hearing Jeff’s and Karolina’s interplay. The next release deals with shortwave radio sounds. This is in keeping with the best of experimental music, where one lets the noises speak for themselves. Jeff states: Flux and Permittivity is…
-
I cannot think of any genre of music percussionist and composer Joseph Benzola doesn’t sound comfortable working in. There might be some bizarre concoction lying dormant in the underground somewhere, but it’s not worth wasting one’s time thinking much about. This collection puts together what sounds something similar to Balinese percussion on the first track, Improv 24 November 2019, and then smoothly transitions to atonal piano music, then some improvisational music, and so on. The variation of styles, and how well everything meshes together, is impressive. Hints of Alban Berg, Sun Ra, jazz played at a bar over a scotch…