Los Angeles-based composer Odeya Nini is a marvel to listen to. She uses her voice and body to full effect as an instrument and composes profoundly interesting contemporary classical music, and whose works are radical enough to fit into musique concrète. If you enjoy the works of Meredith Monk or Continue Reading
Vartra – Basma
Our beloved friends at CPL-Music have submitted a bizarre and completely engrossing album of ethereal tribal music from Serbia in the form of Vartra. The band was founded in 2017 by Siniša Gavrić and sisters Ivana and Aleksandra Stošić. What makes the music so interesting is that it not only Continue Reading
Santiago Fradejas – Montages, Volume Two
What a joy it is when a friend releases a new album! Argentine composer (now residing in England) Santiago Fradejas offers an experimental music album composed on an 8-string electric guitar and loops, making a soundscape album that is, at times, Fripperesque. It’s dark, but not foreboding, and gently flows Continue Reading
Ragnar Ólafsson – Urðarþráður
I had the pleasure of meeting multi-instrumentalist Ragnar Ólafsson in Bulgaria when he was performing with the Icelandic post-rock group Árstíðir many years ago. Every now and again, I see his name pop up and I came across this gorgeously-sung single track he released in May of this year. From Continue Reading
Felix Laband – The Soft White Hand
Compost Records continues to please my ears, this time releasing the latest album of South African composer Felix Laband, who works somewhere in the center of a dance/experimental/collage triangle. The music is ever-evolving, never boring, and blessed with a pleasant beat.
Susana Seivane – Os Soños Que Volven
Galicia is a land of gaiteros and gaiteras, bagpipers of fine quality. Susana Seivane is one of the best of the newer generation, and she brings a raw, almost punk-like power to her performances. This album is a more subdued affair, but she plays so well that the more controlled Continue Reading
Hommy Sanz y Sus Jovenes de Puerto Rico – Jala Jala Mozambique
Homero “Hommy” Sanz was a percussionist and bandleader from Puerto Rico who produced albums full of guaguancó, bolero and boogaloo. The album is a fine example of what was tearing up Puerto Rican airwaves during the 1960s and 1970s. A killer set.
EYRYX – Psychological Projective
There aren’t too many releases that seamlessly blend electroacoustic music, post-Industrial and noise-rock, but to their credit, EYRYX seem to have straddled this very thin line perfectly. The release features friend of our blog, Philippe Gerber, who not only performs on the album, but who released it on his Alreon Continue Reading
Ясный — Svetly – Project 0
Our friends at the ever-brilliant Russian record label, internet radio station and magazine Meticulous Midgets continue to work with interesting bands within the country and (now) internationally. Ясный — Svetly are a Moscow-based band which has a very forward-looking sound, yet the music they produce sound incredibly nostalgic, with wisps of Continue Reading
Rivers Of Glass – By the Light of Burning Bridges
I can’t say I’ve heard of post-country music until today, but as it reminds me of post-rock, this is a genre that will definitely be worth exploring. Rivers Of Glass offer an instrumental album of shimmering guitar playing, sounding like an ambient music version of rain. It’s a sublime listening Continue Reading