Another day, another great loss to music. The legendary Alèmayèhu Eshèté, known lovingly as the “Ethiopian Elvis,” passed away yesterday at the age of around 80. I came across his work on this particular album, Éthiopiques 10: Tezeta – Ethiopian Blues & Ballads, and though I didn’t hear much Elvis (despite some physical similarities), I was floored by how beautifully Ethiopian music, rock and blues could blend into each other.
Enji Erkhem is a jazz singer who is originally from Mongolia, but who currently calls Munich, Germany, home. She has quite an interesting personal story, growing up in a yurt to a working-class family, traveling to Germany to study music pedagogy, and getting utterly inspired by jazz singers like Carmen McRae, Ella Fitzgerald and Nancy Wilson, while adding folk elements into this framework. Though vocal jazz fans will find much to enjoy in this album, the track which most piqued my interest was the track Aya, which swings and sways in a way that reminded me of Björk’s jazz album,…
Sad news from Greece today. The legendary composer, lyricist and politician Mikis Theodorakis, known for so many pop songs, but forever associated with the song Zorba The Greek passed away today in Athens. He was 96 years old.
Hong Kong’s 4’33” Records (named, of course, for American avant-garde composer John Cage’s most notorious composition) specialize in experimental music which crosses into drone and ambient fluidly. This release is by Yoyogi Koen (Yoyogi Park) and though reference information isn’t listen anywhere, I would assume them to be also out of Hong Kong, though I’ll publish a note if I am in error. The music is really dubby for experimental music, something I wasn’t quite expecting. There are folkloric sounds which mesh incredibly well in said genre, and the inspiration for this album comes from Japanese folklore. If you’re familiar…
This release came out in 2020, and Align In Time’s John Boles sent this to me during a time I was flooded by a wave of emails that I’m still, after all this time, going through. Align In Time are an American post-rock band out of Providence, Rhode Island. The band’s sound reminds me of impressive post-rock bands like Caspian, We Lost The Sea and other instrumental rock bands. Surprisingly, I can hear a touch of Fugazi in here as well, at least in some of the guitar playing. It’s mellow, sumptuously recorded and a generally fine listen.
As the Bandcamp site states, 1958 was John Coltrane’s breakout year, coming into his own after partnering so successfully with pianist Thelonious Monk and Miles Davis, though his heroin addiction slowed his progress up considerably. He is in fine condition musically in this 8-LP collection of his first recording session with Prestige Records, and it would be the beginning of an creative explosion for both Prestige and then Atlantic Records before moving on to Impulse! Records. 2019 marked the 70th anniversary of the launch of the legendary imprint, and the 60th anniversary of this session, so this beautifully-remastered collection sparkles.
What a terrible thing to wake up to… The legendary dub producer Lee ‘Scratch’ Perry has left the mortal coil today. Billboard Magazine has a nice obituary and remembrance for the King of Dub. May he have safe travels back to his spiritual home.
Cousin Silas is one of my favorite guitarists, and I can’t think of many who are better at making such mellow soundscapes. This is one of his latest albums, and his massive body of work is consistently good. Really consider looking him up on Facebook and following his massive release schedule on Bandcamp.
Swiss drummer and percussionist Florian Arbenz was featured on our previous website, A Miscellany of Tasteful Music, some time in 2020 on a record he did with American saxophonist Greg Osby. This album is equally as engaging. This slightly unusual line up of guitar, trumpet & drums might, at first glance, miss a bass instrument. But despite the challenges, the creativity of the musicians involved, as well as Florian’s addition of custom percussion instruments covering this range, make for a fascinating listen which moves from hard-swinging soloing to dreaming soundscapes. Imagine making an album which swings, yet has no bass…
This album has to be one of the more intriguing releases I’ve heard this month. Wilfried Hanrath is a composer based in Wuppertal, Germany (home, if I remember correctly, to free jazz legend Peter Brötzmann as well), and grew up surrounded by some of the most radical music imaginable: Krautrock, jazz fusion, early German electronic music and perhaps a large dose of progressive and psychedelic rock. The album showcases his influences in a stunning way, though I understand this album is more a reinterpretation of the works of others rather than a purely original album. He crafts each song as…