Cousin Silas and his merry band of collaborators continue to impress with massive compilations of ambient music. He, and all bands associated with him, are worth a deep listen.
-
-
Today is an auspicious occasion as this post will mark 1,000 consecutive days of posting music for my readers and friends. It’s most appropriate that number 1,000 would be someone who has appeared quite a few times on the blog, but Jeff Gburek offers an album that is as (primitive) bluesy as I’ve heard in some time. The playing is mournful in parts, but it wraps your ears up and demands your attention. Most importantly, I think this is the first time I’ve heard Jeff sing. His voice sits perfectly in the point where blues, psych and acid folk all…
-
‘Beautifully lo-fi’ is perhaps the best way I can describe Jeff Gburek’s latest release on Muteant Records, a company you will be hearing plenty about on this blog.. The tracks have the rawness of the early Dunedin sound (think Roy Montgomery, Alastair Galbraith and labels like XPressway and Flying Nun Records. It’s still grounded in Jeff’s trademark guitar work, but with some elements that feel like they would be home on an ethnographic record of some culture in a hidden-away island in the Indonesian archipelago. Don’t ask why, just listen, especially to Undead 8. You can see more of Jeff’s…
-
Another dear friend of the blog, Samo Salamon from Slovenia, brings along a few friends for a well-done, gorgeously recorded improvisational album. Joining Salamon on this disc are Emanuele Parrini on violin and Vasco Trilla on drums and percussion. From Samo’s Bandcamp site: “A great improvising trio session of three fantastic improvisers from three different European countries. Samo Salamon (Slovenia) has this time played exclusively acoustic guitars – 6 and 12-string string. Especially the 12-string guitar is a hugely underrated instrument in the improvising context. Naturally, names such as Ralph Towner or Marc Ducret come to mind, but still Salamon…
-
We have a cause to celebrate here at the MYNTH office, as our friend, the erstwhile Bay Area guitarist Ernesto Diaz-Infante has released a new album on a label you will be hearing more about on this website. Ramble Records, an Australian label, is releasing some high quality guitar music, and has previously featured the American-Polish guitarist Jeff Gburek’s work. Ernesto’s album is more a drone-laden psychedelic trip of an album. There are lo-fi elements to it, a fair amount of minimal strumming, and the music simply sets brilliantly when heard through a decent set of headphones. No surprise from…
-
Longtime friend of the blog Hector Javier Ayala collaborates with saxophonist Christophe Rieger to produce a slow, languid jazz album which has reference points in spaghetti western soundtracks and bossa nova, as well a touch of music from Mexico.
-
Jeff Gburek’s recent instrumental guitar album is a a wonderfully disjointed trip around his sonic weapon of choice. It’s a truly wild work, but Jeff weaves his vast musical influences together with hints of a broken kind of blues, free jazz, improvisational skronk and psychedelic rock. In Jeff’s words, which you can read in full at Ramble Records‘ Bandcamp site: “In attempting to move into the future of the guitar or the post-guitar (as in the case of Kevin Drumm or Annette Krebs where the guitar became deconstructed and/or displaced into other electro-acoustic processes, if you will), I also discovered aspects…
-
The Phonometrician is fellow Los Angeleno Carlos Morales, and he produces a music that sounds like a post-Industrial Coil supplemented by a very sparse acoustic guitar. It works quite well, and adds to the already immensely wonderful Lost Tribe Sound catalog.
-
Fresh recordings have been delivered by Jeff Gburek, and there are a few more in the pipeline, apparently, so 2022 will be a busy year for one of the blog’s favorites. From Jeff’s Bandcamp site: “Five Broke Downe Homesick for the Open Road Medley Blues came to me as the title for tracks I recorded in October bounced off of various field recordings from the Summer 2022 . They are all recorded spontaneously at various locations. One can hear domestic and wilderness noises in the backgrounds (1), campfires, foxes or wolves, crickets (3). The tracks are mostly raw juxtapositions of…
-
I can’t say I’ve heard of post-country music until today, but as it reminds me of post-rock, this is a genre that will definitely be worth exploring. Rivers Of Glass offer an instrumental album of shimmering guitar playing, sounding like an ambient music version of rain. It’s a sublime listening experience.