It’s hard to imagine a more technically proficient power trio than the Stick Men. Tony Levin, Markus Reuter and Pat Mastelotto are all King Crimson alumni or associates, and each bring their superlative talents to their instruments of choice. It’s the band’s first new music in six years. Amazing work.
Experimental
Blood Rhythms – New Illusions
“A massive, oppressively brutal wall of sound.” That was the first impression that popped into my head after listening to Arvo Zylo’s project, Blood Rhythm’s latest release, New Illusions. Think of ritualistic noise with some sense of structure, like Z’ev meeting Merzbow’s more restrained and focused works. This is bleak, claustrophobic, Continue Reading
Orphan Sound System – Tantric Tantrums
Experimental music isn’t a genre that avails itself to the power trio. In this case, however, Jeff Gburek, John El-Manahi and John Palumbo should be given such a venerable title. The music they produce as Orphan Sound System is reminiscent of vintage progressive rock bands like Faust or Cranioclast but with Continue Reading
Uzu Noir – Zo!
Uzu Noir is the monicker used by Finnish audio engineer-mixer-producer (having worked with Richard Dawson & Circle, Brian Eno, The Tindersticks, These New Puritans, Ulver, Natacha Atlas, Pharaoh Overlord, The Utopia Strong, Cyclobe, Old Man Gloom, etc) Antti Uusimäki. With such an incredible résumé, one would expect that his debut Continue Reading
Roger Doyle – Oizzo No
Roger Doyle, like his equally talented countryman (and friend) Daniel Figgis, doesn’t get his fair shake inside of his home country of Ireland, yet is better regarded in the U.K. and the European continent as a master of electroacoustic music. This version of Oizzo No is a reworking of the Continue Reading
Nick Sudnick – Opera of the Fifteenth Hour
24 Rush Hours is a series done by Zga composer and multi-instrumentalist Nick Sudnick, and this is #15 of 24. The two long pieces are a pastiche of art-rock (think Rock-In-Opposition like Art Bears or the composers Alfred ’23’Harth and Heiner Goebbels). Add an element of Bertolt Brecht-like lyrics for Continue Reading
JOHN 3:16 – Because I could Not Stop for Death...
Because I could Not Stop for Death... is a quote from poet Emily Dickinson, and listening to JOHN 3:16 interpret it is a pleasant experience, as the music on this one-track single is sweeping and cinematic, a touch different from his other work.
Bandcamp Friday and Help For Ukraine
Politics is loathsome. Human beings, however, can be beautiful. All of them, not just your favorites. If you can help out those in need from all points in this disgusting war, I’m sure the labels, the artists, and most of all, the people who could use the funds to survive, Continue Reading
Wabjie – Lull
Wabjie are a Swiss trio made up of singer Soraya Berent, pianist/composer Michel Wintsch and drummer Samuel Jakubec who produce a sound that references Thom Yorke, Bobby McFerrin and Betty Carter at their most experimental, but perusing the promo sheet, one name was left off that hit me very hard Continue Reading
Midori Hirano – And I Am Here
According to Midori Hirano’s Bandcamp site, “this album was initially released on staaltape by Rinus Van Alebeek in 2015 as a very limited edition of cassette tape.” It’s a gem of experimental music because Hirano’s background blends a classical music, a commercial music background, and what would end up being Continue Reading