Dean & Britta & Sonic Boom – A Peace of Us

Dean Wareham is someone who could be called Shoegaze royalty.  He has been partnering with Britta Phillips for some time now making some fine records, but this is a different, even more interesting beast.  The Spacemen 3 centerpiece Sonic Boom collaborates with Dean & Britta for an album which combines Continue Reading

Karolina Ossowska & Jeff Gburek – Witch​-​Hazel

We have another elegant experimental/electroacoustic album by violinist Karolina Ossowska and her partner in this release, Jeff Gburek.  There is a Nurse With Wound-meets-György Ligeti vibe to this release, maybe even references to Krzysztof Penderecki’s earlier avant-garde works, but given a gritty, ghostly treatment.  Another glorious release.

Bryan Day+Ernesto Díaz-Infante – Untitled Currents

Ernesto Díaz-Infante is a favorite on this blog, so any release of his is welcome, but Bryan Day is a new name for me.  He is an instrument maker and improvisational musician who also runs Public Eyesore Records.  This collaboration is quite dark, bordering on a cacophonous take reminding me Continue Reading

Jeff Gburek & Orkiestra Gaiafonica – Sept (ember) Sorties, 2024

From Jeff Gburek’s Bandcamp site: “None-sense Opera is what I will call it. It’s not noise, not merely musical soundscapery nor just anything rushing in to fill the 4/33 gap. My selections are operant, intuitive but their sense often only dawns on me later in the twilight when I become Continue Reading

Deborah Martin & Cheryl Gallagher – Tibet (20th Anniversary Remaster)

From the impeccable Spotted Peccary: “”Spotted Peccary Music is thrilled to announce the 20th anniversary release of TIBET by Deborah Martin and Cheryl Gallagher, completely remastered and remixed for Dolby Atmos and Spatial audio, finally presenting this masterful work as it was originally envisioned – a total immersive experience of Continue Reading

Various Artists – Canary Records: Hellenic Hinterlands: Independent Greek-American 78rpm Discs from Baltimore, Boston, and Cleveland ca. 1953-57

From the Canary Records Bandcamp site: “When middle-class Americans in the 1950s found that they could get access to a tape recorder and a microphone, it then became possible for them to make recordings that they could pay to have pressed into discs. One didn’t need to go to dedicated Continue Reading