Jagath is a field-recorded ritual ambient act from Perm, Russia who use handmade instruments, scraps and metal to make their dark, dank industrial sounds. As quoted from their Bandcamp site, “We do this to share our vision of decaying postindustrial age, to unleash the spirit of deep beyond-world and unveil life in the abyss.”
Quite an impressive band out of the Philippines, courtesy of Mahorka Records out of Bulgaria. Some info from their Bandcamp site: Luneta Freedom Jazz Collective is an experimental jazz group from Manila, Philippines. Their first studio album “Ethos”, was recorded and released in April 2015. The group would go on to be featured at 2015’s To Be Continued on Stazione di Topolò/Global Health Incubator. Their second album, “Inland Empire” was released in 2017. In 2021 their third album, “Slaves and Masters”, comes out on Mahorka, the dialectic as a narrative that examines the exploitation of labour and social stratification, with…
miserable.noise.club is a collective of incredibly talented musicians based in Jordan, China and the US + other collaborators in East Asia and the Middle East. The music they make is, by some miracle, a solid blend of experimental music, a paean to post-punk and lo-fi psychedelic rock. It’s hazy enough to remind me of some of the great music coming out of New Zealand in the late 1990s revolving around luminaries such as Roy Montgomery or The Dead C. Once the radio podcast begins, I have a feeling these folks will be featured heavily. Very impressive. Much respect to Abood…
Mong Tong are one of the most profoundly interesting bands operating out of Taiwan these days, and their work would compare favorably to psychedelic giants like Ghost or even quieter aspects of Acid Mothers Temple. From WV Sorcerer Productions’ Bandcamp site: Mong Tong is brothers Hom Yu, Jiun Chi (they also play in Prairie WWWW 落差草原 WWWW & Dope Purple) and 仝. They listened to what they describe as “Dianziqin music 電子琴音樂” along with video game soundtracks, vintage Asian movie samples and psychedelic music. These inspirations combine with Taiwanese folklore and a love of conspiracy theories to form what they…
I came to the work of Latvian noise musician and composer Jelena Glazova originally through her collaborations with the legendary Russian noise maestro Alexei Borisov. This four-track album is a paean to the work of French soundscape artist and composer Élaine Radigue, perhaps the foremost sound composer operating today. Glazova used processed voice, her laptop and controllers to sculpt these works. They were recorded and mastered in Riga between 2016 – 2019. The drones wash over the ears magnificently.
Our dear friends at Kalamine Records have surprised me with yet another fine release. This album comes from the project Lezet, which is the working name of my friend Igor Jovanović. It is fair to say that this is true experimental music, or perhaps it’s better to call this sound art. The album is, as Igor puts it, “an album of assorted sounds made in mic’s physical interactions with various surfaces and other accidental sounds recorded during these interactions.”
Breton musician Thierry Jolif (who records as Lonsai Maïkov here) is a fellow Orthodox who also happens to make boomingly dark experimental drone music. It’s quite something to hear both worlds collapse into each other so violently, but if I could trust anyone to pull of such a feat, it is him. This is an EP’s worth of music, time-wise, but genres covered include ambient, drone, noise, darkwave and there are spoken word elements which tie the album together well.
I have to catch up and see what has been going on with our friends at Alrealon Music. This release is two tracks of a horrifying soundscape that conjures up images of characters like Pinhead from the classic horror movie Hellraiser. Though the movie had no effect on me (I grew up watching far better horror movies from Spain and Italy), the music JOHN 3:16 (perhaps my favorite, and certainly the most hopeful, verse in the Bible) conjures up left me feeling slightly uneasy. Disturbingly enjoyable.
We have to wait eight more days to hear the complete work, but given the two tracks Maryam Sirvan has made available, this will be worth the wait. There were two artists which came to mind while listening to the tracks over and over – Tim Buckley at his most experimental, and ‘Dogs Blood Rising‘-era Current 93. This should be seen as an electroacoustic album, and would compare very favorably to those artists like Bernard Parmegiani who could depict a hellish landscape in what some wrongly think is an academic medium. This album is truly that weird, and it sounds…
I feel a bit silly admitting this, but for some reason, I thought I had Soundtrack To The Blind Owl previously. Iran’s foremost dark ambient composer Xerxes The Dark has been active for many years now, and is part of a pretty amazing scene developing in one of the least likely places on Earth. Then again, with the Internet, I am expecting mind-blowing post-Industrial music to pop out of Togo or Burkina Faso eventually. To the music. There are six tracks of ominous drone on this album. This isn’t a typical drone or ambient album, however. Xerxes expertly mixes in…