“A massive, oppressively brutal wall of sound.” That was the first impression that popped into my head after listening to Arvo Zylo’s project, Blood Rhythm’s latest release, New Illusions. Think of ritualistic noise with some sense of structure, like Z’ev meeting Merzbow’s more restrained and focused works. This is bleak, claustrophobic, ugly, and fitting with the zeitgeist of our current time. A heavy listen, made much better and more engrossing with headphones.
Because I could Not Stop for Death... is a quote from poet Emily Dickinson, and listening to JOHN 3:16 interpret it is a pleasant experience, as the music on this one-track single is sweeping and cinematic, a touch different from his other work.
One of the most remarkable things about the series of compilations released by our friends at Unexplained Sounds Group is the great number of new artists they come into contact with, and serve as a launching board for. Of all the artists on this compilation, only Ryo Murakami’s work rings a bell. Masayuku Imanishi’s work sounds like a newsroom printing press staffed by Throbbing Gristle and Hélène Sage. USG continue to release the finest in post-Industrial music.
This acousmatic gem by French composer Benjamin Aït-Ali was released at the end of 2020, and it’s as engaging as anything I’ve heard this year. There are many electroacoustic and acousmatic composers active today, including in my old hometown, who are of stunning quality, but Benjamin offers something a bit different to my ears. There’s a nostalgic sound involved, almost as if he were cutting and splicing these sounds together by hand. I don’t know his compositional or recording technique, of course, but there are warm pops and cracks throughout the recording. It’s truly cinema for the ears.
It is with a heavy heart that we have to report the passing of Dino, one of the pioneers of Taiwan’s noise scene. This squealing, squelchy noise masterpiece was released on Bandcamp in May of 2021 on Karma Detonation Tapes out of Taipei. May his memory be eternal. HT: Stacy Lipp.
As we observe Christmas Eve and the Nativity today and tomorrow based on the Julian Calendar, we share an avant-garde take on “Christmas” music. The French experimental record label Camembert Électrique have released a 94-track comp of some rather interesting takes of some Yuletide classics, as well as a fair number of originals. Some of the artists included include Anastasia Vronski, Sean Derek Cooper Marquart, James Hoehl, and our dear friends, Lezet. It’s not a conventional compilation for the season, but it holds its own rather well.
Jagath is a field-recorded ritual ambient act from Perm, Russia who use handmade instruments, scraps and metal to make their dark, dank industrial sounds. As quoted from their Bandcamp site, “We do this to share our vision of decaying postindustrial age, to unleash the spirit of deep beyond-world and unveil life in the abyss.”
Quite an impressive band out of the Philippines, courtesy of Mahorka Records out of Bulgaria. Some info from their Bandcamp site: Luneta Freedom Jazz Collective is an experimental jazz group from Manila, Philippines. Their first studio album “Ethos”, was recorded and released in April 2015. The group would go on to be featured at 2015’s To Be Continued on Stazione di Topolò/Global Health Incubator. Their second album, “Inland Empire” was released in 2017. In 2021 their third album, “Slaves and Masters”, comes out on Mahorka, the dialectic as a narrative that examines the exploitation of labour and social stratification, with…
miserable.noise.club is a collective of incredibly talented musicians based in Jordan, China and the US + other collaborators in East Asia and the Middle East. The music they make is, by some miracle, a solid blend of experimental music, a paean to post-punk and lo-fi psychedelic rock. It’s hazy enough to remind me of some of the great music coming out of New Zealand in the late 1990s revolving around luminaries such as Roy Montgomery or The Dead C. Once the radio podcast begins, I have a feeling these folks will be featured heavily. Very impressive. Much respect to Abood…
Mong Tong are one of the most profoundly interesting bands operating out of Taiwan these days, and their work would compare favorably to psychedelic giants like Ghost or even quieter aspects of Acid Mothers Temple. From WV Sorcerer Productions’ Bandcamp site: Mong Tong is brothers Hom Yu, Jiun Chi (they also play in Prairie WWWW 落差草原 WWWW & Dope Purple) and 仝. They listened to what they describe as “Dianziqin music 電子琴音樂” along with video game soundtracks, vintage Asian movie samples and psychedelic music. These inspirations combine with Taiwanese folklore and a love of conspiracy theories to form what they…