Two places I have been enamored with for at least half of my life are Brittany in France and Naples, perhaps my favorite Italian city. Breizh Napoli, as the name clearly indicates, combines both Breton and Neapolitan music seamlessly. This is a fine demo of choral music that brings out the best of both cultures, and it’s my hope that the band continues to mine this particular strain of folk music.
No reviews are forthcoming today thanks to needing to take a rest, but I wanted to post a classic tune from Ethiopia’s golden age of pop, courtesy of Wubshaw Sileshi.
Mohammad Mostafa Heydarian is a Kurdish tanburist who hails from Kermanshah, in the Iranian region of Horaman. His playing reminds me of a lot of the instrumental music coming out of the Sahel, blended, naturally, with Kurdish rhythms and adding a psychedelic haze to the music. Though I’m not keen on paying €1,000 for a download, the cassette version is certainly worth a purchase. It would probably do Radio Khiyaban, the magnificent label who released Heydarian’s work, to consider making these recordings available for upload once the cassettes go out of print.
Benin (formerly Dahomey) has produced so much good music, yet it’s suffered from a lack of availability in the West, meaning that only the most expert crate-diggers or West African music specialists were able to enjoy these artists. Thankfully, Analog Africa has been doing their best to make sure this music gets documented, digitized, and publicized around the world. Some of the composers included on this disc are Gnonnas Pedro et Ses Dadjes, Antoine Dougbé, El Rego et Ses Commandos and Honoré Avolonto. These were the cream of the crop of Beninois balladeers during the 1960s and 1970s. The comp…
Ian Nagoski’s stunningly and consistently impressive Canary Records releases a giant collection of songs from immigrants of the, by then, collapsing Ottoman Empire. These songs span the time period between the First World War and the Great Depression, and are lovingly transferred and curated by Nagoski, whom you can hear in tracks 54, 55 and 56. Be they Christian, Muslim or Jew, the sons and daughters of the Empire brought so much incredibly good music to America’s shores. It’s a blessing to have these works preserved.
Out beloved friends at CPL-Music have released another fascinating album of Russian folk music! Merema hail from Saransk, which is the capital of Russia’s autonomous Republic of Mordovia. The music is beautifully documented by CPL Records and the documentary work of professor Ekaterina Modina. The tones of the voices are dulcet, and it sounds unlike most Russian music as the languages of the region have far more in common with the Finno-Ugric family than it does with Russian. Utterly worthy. For a more complete review, consider checking out a full album analysis at WorldMusicCentral.org or at WorldListeningPost.com.
Poland’s For-Tune Records have been consistently releasing high-quality jazz and improv music for some time now, but their latest has a special place for me. This collection, with the exception of Por Una Cabeza (composed by Carlos Gardel) was composed by the inimitable Ástor Piazzólla and arranged Bester Quartet leader and accordionist Jarosław Bester. It’s remarkable to hear how fluidly tangos by the masters can be translated so well into jazz and improvisational music.
The first time I had the pleasure of hearing Afrobeat was in Skopje, Macedonia, of all places. There isn’t a lot of variance to the music on this comp, though there are a few gems on this comp, but I have to be honest – how do you better Fela Kuti and Tony Allen? It’s a tough sell. This is the future of Afrobeat you’re listening to on this compilation, and the best part is that the genre is exploding everywhere. You will find bands from Nigerian diasporas in places like France and Spain, but it was interesting to see…
LeiLuo Studio is a small record label based in my former home of Beijing, China. The track reviewed today is a fusion of musics from Zhejiang from the She ethnic group. The label/band’s Bandcamp site explains further below: This is a piece of new fusion single composed and arranged by the duo, Wang Lei and Yile, in February 2018. Aria of Yunhe is copyright Beijing Chuanzong Culture Development Ltd., Co. In mid January, the duo had participated in a field trip to Jingning County in Zhejiang Province, China. We were introduced to a type of local music that had existed…
Our friends at Habibi Funk are becoming legendary as their roster grows. What impresses me the most about the folks who run the label is their absolute passion for music from the Maghreb which has been criminally underrepresented throughout the world for decades. It’s shameful that the labels in the region didn’t think that the rest of the world wouldn’t appreciate such talent, but Habibi Funk are stepping in to right that wrong, and it will hopefully inspire more and more local labels to release their hidden treasures. Have a listen to the tracks above and sample what’s coming down…