Nurbek Serkebaev is a well known Kyrgyz folk musician who plays virtually all Kyrgyz traditional music instruments. The venerabl Antonovka Records have released yet another fine album of traditional music.
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This compilation released by Time Capsule Records is going to be stunningly good. From the release’s Bandcamp site: The innovative, radical soul of Guadeloupe explored across thirty years of contemporary gwoka music, released by Time Capsule and Séance Centre. As Guadeloupean vocalist and composer Marie-Line Dahomay writes in her liner notes to the compilation, gwoka is more than a style of music, it is “a way of living and thinking.” Rooted in the social, musical and ritual practices of enslaved African people and their descendants on Guadeloupe, gwoka has always sought to express the spirit of independence and resistance authentic…
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The Scorpios are a Sudanese/British Afrobeat band with an incredible pedigree. Regia Ishag, the band’s singer, is the daughter of the guitarist of one of Sudan’s funkiest bands, The Scorpions (obviously not the German hard-rock band bearing the same name). This new generation band maintains the funkiness of their forefathers and adds jazz, more funk and a more general Afrobeat element to the music. It’s rapturous and made for the dance floor or the wedding ceremony equally.
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Jean-Sébastien Héry is a French ex-pat musician living in China. He has a very impressive body of work covering over 50 albums of music ranging from electro music to rock performed on traditional Chinese instruments like the zhonguran and pipa. His work is singular, as there doesn’t seem to be anyone, either inside or outside of China, combining these elements together. His latest album covers ten evergreen recordings, including Herbie Hancock’s masterpiece, Cantaloupe Island, and My Favorite Things, made into a classic by the film The Sound of Music starring Julie Andrews. The album is charming all the way through.
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On Friday night, my beloved friends, Helenka and Tomáš, suggested I go out to a club called Stará Pekárna, a club where Tomáš works. The owner of this fine establishment is a heavy blues aficionado who happens to book very impressive bands. Imagine my surprise when I walk into the club into a lovely sound: The singer, Iva Marešová, had a wonderfully open voice, full of power and energy, and even though most in the club were sitting, you could see quite a large number of patrons fidgeting around wanting to dance. I myself could feel my feet tapping around…
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Mexico’s new music scene is criminally underrated, which is a shame considering the immense talent hidden there. Yes, of course, we love boleros, the folk songs out of Veracruz and Yucatan, and the insanely good psychedelic music of the 1960s and 1970s, the Rock-In-Opposition of bands like Nazca, Decibel and Banda Elástica, all worthy listening. Let us introduce you to a new group called Muva. They evoke a cinematic aesthetic which combines atmospheres of many national cultures (think Scotland, Mali and Israel) surrounded by elements of rock, electronic, classical, tribal music and jazz improvisations. It’s not quite any genre, but…
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Much respect to Mississippi Records out of Chicago, Illinois for releasing this magnificent artifact! The back story is explained in great detail on the label’s Bandcamp site: Marika “Politissa” Frantzeskopoulou was a Greek singer from Constantinople, reknowned for her precise, fluid and graceful performances and depth of feeling. Backed by some of the best musicians of the era on lyra, violin, oud, kanonaki and guitar, Marika’s repertoire and techniques drew from Byzantine and Ottoman musical traditions. She possessed an ability to devastate her audience through her expressions of grief, exile, and tragic love, running the gamut of cafe aman, torch…
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Two places I have been enamored with for at least half of my life are Brittany in France and Naples, perhaps my favorite Italian city. Breizh Napoli, as the name clearly indicates, combines both Breton and Neapolitan music seamlessly. This is a fine demo of choral music that brings out the best of both cultures, and it’s my hope that the band continues to mine this particular strain of folk music.
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No reviews are forthcoming today thanks to needing to take a rest, but I wanted to post a classic tune from Ethiopia’s golden age of pop, courtesy of Wubshaw Sileshi.
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Mohammad Mostafa Heydarian is a Kurdish tanburist who hails from Kermanshah, in the Iranian region of Horaman. His playing reminds me of a lot of the instrumental music coming out of the Sahel, blended, naturally, with Kurdish rhythms and adding a psychedelic haze to the music. Though I’m not keen on paying €1,000 for a download, the cassette version is certainly worth a purchase. It would probably do Radio Khiyaban, the magnificent label who released Heydarian’s work, to consider making these recordings available for upload once the cassettes go out of print.