Azure are a post-rock band out of Aviles, Spain, who produce an atmospheric instrumental vibe on this EP. It has a familiar sound to those who like a bit of metal inside of their post-rock, so it’s a worthwhile pickup. Also, for those of you who love using Bandcamp, this release is free, so it’s most certainly worth sampling.
Lotus are an instrumental post-rock/post-metal band out of Pune, India. They have a pleasantly heavy groove that has a lot of more modern progressive rock influences. A solid EP.
The Internet, for all the garbage one finds on it, amazes me some days. This album, a collaboration of a friend of the blog, George Christian (out of Brazil), collaborates with Kawol Samarqandi (based in Japan) and release this collection on a Spanish record label, Bestiar and an Australian label, Ramble Records. The world becomes smaller everyday. The is a pure guitar album. George performs on acoustic-electric flat-top guitar, electric guitar, while Kawol performs on electric oil can guitar. The plucks and twangs blend into each other seamlessly, and the music suits the day rather well, as it is rainy in Brno…
From the Upupayāma Bandcamp site: Upupayāma is the musical persona of Alessio Ferrari, an Italian multi-instrumentalist and songwriter who lives in a small mountain village above the city of Parma. In addition to playing guitar, bass, keyboards, and drums, Ferrari himself also incorporates a number of other instruments into his work, including sitar, erhu, transverse and wooden flutes, and a variety of percussion instruments. This is a stunning debut by Upupayāma, whose take on psychedelic rock caught my attention. The album swims along nicely, reminding me of bands like Kikagaku Moyo. I hope they stay on this vein. It’s pleasantly heavy…
Giedrius Kuprevičius is a Lithuanian composer with roots in theater music. Erotidijos has a rather long history, originally being released on cassette in 1994, but the latest release adds around 30 minutes of music, and is available on vinyl as well as download. From his Bandcamp site: Erotidijos is a haunting yet hypnotic tableaux Kuprevičius originally created for a Stanislovas Rubinovas theatre play staged in 1994 in Kaunas, Lithuania. The Lithuanian composer was one of the founding members of the pioneering electronic pop outfit Argo and has written dozens of scores for stage and film over the past several decades, imbuing…
Sunday is going to be hectic, so today, I wanted to impart to you an album by The Myrrors, easily one of America’s finest psych bands. The music is all instrumental and sounds like the outtakes of a more relaxed Blue Cheer or some of the modern drone composers like Terry Riley. I never would have thought would be referenced by a psych band, but has been done so perfectly). Let the hot Arizona winds flow on top of you today. This album is worth your time.
The spirit of Krautrock has spread well beyond the German-speaking world, and has for some time now. Primitive Air is an American collaboration between Drew Piraino, Jefre Cantu-Ledesma and Emil Amos reminds me of the more freaky (yet still gentle) parts of bands like Popol Vuh and modern bands like The Myrrors. This is a blissful little record, and it would have sit comfortably among the greats of German psychedelic music of the late 1960s and early 1970s had these folks been around during those heady days.
Li Yilei is a London-based sound artist based whose roots are Chinese. Li’s latest album, Of (Chinese: 之) reminds me of some of the amazingly good Japanese new age ambient releases of the 1980s which seem to be gaining a lot of attention like Hiroshi Yoshimura and some of Haruomi “Harry” Hosono’s more eclectic albums outside of his work with the Yellow Magic Orchestra. The instrumentation consists of analogue synthesizers, vocal samples, field recordings and string instruments such as the violin and guqin (I was introduced to the instrument while teaching in China back in 2018), and Li is also…
Frames aren’t quite a new name for me, but it seems I missed this post-rock gem. I was amused to read that a lot of post-rock fans don’t see much good in this album because it doesn’t fit their pre-conceived notions of what music in the genre should sound like, I suppose. For me, I like that it goes nowhere in particular, a bit like a drive down a highway on a Sunday afternoon with no particular point you’re traveling to. Musically, this is a solid album, not as metal as other post-rock bands (which for my taste is a…
This release came out in 2020, and Align In Time’s John Boles sent this to me during a time I was flooded by a wave of emails that I’m still, after all this time, going through. Align In Time are an American post-rock band out of Providence, Rhode Island. The band’s sound reminds me of impressive post-rock bands like Caspian, We Lost The Sea and other instrumental rock bands. Surprisingly, I can hear a touch of Fugazi in here as well, at least in some of the guitar playing. It’s mellow, sumptuously recorded and a generally fine listen.